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Gallery 451 - Arab Lands and Iran in the Umayyad and Abbasid Periods (7th–13th centuries)

Part of Islamic Art

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Islamic Gallery 451

Gallery Highlights

  • Ewer with a Feline-shaped Handle
    Ewer with a Feline-shaped Handle

    Date: 7th century
    Accession Number: 47.100.90

  • Bowl Emulating Chinese Stoneware
    Bowl Emulating Chinese Stoneware

    Date: 9th century
    Accession Number: 63.159.4

  • Tiraz Textile Fragment from an Ikat Shawl
    Tiraz Textile Fragment from an Ikat Shawl

    Date: late 9th–early 10th century
    Accession Number: 29.179.9

  • Panel from a Cenotaph or Symbolic Coffin with Marquetry Decoration
    Panel from a Cenotaph or Symbolic Coffin with Marquetry Decoration

    Date: second half 8th century
    Accession Number: 37.103

  • Pyxis (Cylindrical Container)
    Pyxis (Cylindrical Container)

    Date: late 11th–early 12th century
    Accession Number: 1998.298a, b

  • Goblet with incised designs
    Goblet with incised designs

    Date: 8th–9th century
    Accession Number: 65.173.1

See all objects from this gallery

Related Content

  • Timeline of Art History (9)
  • Exhibitions & Events (8)

  • Geometric Patterns in Islamic Art
  • The Art of the cAbbasid Period (750–1258)
  • The Art of the Umayyad Period (661–750)
  • The Art of the Umayyad Period in Spain (711–1031)
  • The Nature of Islamic Art
  • Arabian Peninsula, 500–1000 A.D.
  • Arabian Peninsula, 1000–1400 A.D.
  • Iran, 1000–1400 A.D.
  • Iran, 500–1000 A.D.

Browse current and upcoming exhibitions and events.

Exhibitions:

  • Interwoven Globe:
    The Worldwide Textile Trade,
    1500–1800

    From September 16, 2013
  • Making the Invisible Visible
    From April 2, 2013

Events:

  • Conversation with a Conservator—Panel with Marquetry Decoration from Egypt
    July 5, 2013
  • Metalwork from the Islamic World
    July 11, 2013
  • Conversation with a Conservator—Islamic Glass
    July 19, 2013
  • Literacy in the Twenty-First Century
    August 6, 2013
  • Battle Cries and Demon Spies: Manuscript Pages from the Ramayana
    August 9, 2013
  • In with the New: Iran and Early Islamic Art
    August 24, 2013
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American
The American Wing
700–741, 743–745 & 747–774
1st / 2nd Fl
ANE
Ancient Near Eastern Art
400–406
2nd Fl
Arms and Armor
Arms and Armor
370–380
1st Fl
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350–358
1st Fl
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200–253
2nd Fl
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1–4, 6–14 & 16–20
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Drawings and Prints
690–693
2nd Fl
Egyptian
Egyptian Art
100–138
1st Fl
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European Paintings
600–644, 800–812 & 814–827
2nd Fl
ESDA
European Sculpture and Decorative Arts
500–503, 505–520 & 522–556
1st Fl
Greek and Roman
Greek and Roman Art
150–176
1st / 2nd Fl
Damascus Room
Islamic Art
450–464
2nd Fl
Lehman
The Robert Lehman Collection
950–962
1st Fl
Medieval Art
Medieval Art and The Cloisters
300–307
1st Fl
Modern
Modern and Contemporary Art
813, 828–830 & 900–925
1st / 2nd Fl
Appleton Pipe Organ
Musical Instruments
680–684
2nd Fl
Photographs
Photographs
850–852
2nd Fl

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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
1st Fl
Morning Glory
Cambodian Rattan - The Sculptures of Sopheap Pich
209, 249, 251
2nd Fl
Duke Francesco I d'Este
Velázquez's Portrait of Duke Francesco I d'Este - A Masterpiece from the Galleria Estense, Modena
624
2nd Fl
The Boxer: An Ancient Masterpiece
The Boxer - An Ancient Masterpiece
153
1st Fl
Birds and Flowers of the Four Seasons; Cranes and Flowers of the Four Seasons
Birds in the Art of Japan -
225–232
2nd Fl
At War with the Obvious:  Photographs by William Eggleston
At War with the Obvious - Photographs by William Eggleston
852
2nd Fl
Making the Invisible Visible
Making the Invisible Visible - Conservation and Islamic Art
458
2nd Fl
The Cyrus Cylinder and Ancient Persia: Charting a New Empire
The Cyrus Cylinder and Ancient Persia - Charting a New Empire
404
2nd Fl
Objects from the Kharga Oasis
Objects from the Kharga Oasis -
302
1st Fl
Land Marks
Land Marks -
399
1st Fl
The Fall of Richmond, Virginia on the Night of April 2nd, 1865
Drawings and Prints - Selections from the Permanent Collection
690
2nd Fl
The Camp of the Seventh Regiment near Frederick, Maryland, 1863
The Civil War and American Art -
964–965, 955
1st Fl
African Art, New York, and the Avant Garde
African Art, New York, and the Avant-Garde -
359
1st Fl
Living in Style: Five Centuries of Interior Design from the Collection of Drawings and Prints
Living in Style - Five Centuries of Interior Design from the Collection of Drawings and Prints
691–693
2nd Fl
Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
1st Fl
The Roof Garden Commission: Imran Qureshi
The Roof Garden Commission: Imran Qureshi -
926
1st Fl
 Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection
Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection -
960
1st Fl
Everyday Epiphanies: Photography and Daily Life Since 1969
Everyday Epiphanies - Photography and Daily Life Since 1969
851
2nd Fl
Poudreuse
Furniture by Abraham and David Roentgen on loan from the Kunstgewerbemuseum, Staatliche Museen zu Berlin -
553, 533
1st Fl
Fabergé
Fabergé from the Matilda Geddings Gray Foundation Collection -
555
1st Fl

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This gallery explores early Islamic art, focusing primarily on the Umayyad dynasty (661–750), whose capital was Damascus, and the Early Abbasid dynasty (750–ca. 900), which was based in Baghdad. Also highlighted are pre-Islamic traditions from ancient Rome, Byzantium, and Persia that evolved into Islamic art under the Umayyads. During the Early Abbasid period, the melding of influences from as far away as China and India resulted in a golden age of creativity.

Among the many treasures on view are an outstanding selection of manuscripts and early Qur'an pages in Kufic script. These are displayed alongside textiles from all reaches of the empire, from Yemen to Egypt, as well as ceramics, including luster-painted pottery; wooden doors in the beveled style from Samarra in Iraq; metalwork; and glass.

Discover more about Islamic Art

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