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Gallery 748 - John Singleton Copley

Part of The American Wing

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American Wing Gallery 748

Gallery Highlights

  • Mrs. John Winthrop
    Mrs. John Winthrop

    John Singleton Copley (American, Boston, Massachusetts 1738–1815 London)

    Date: 1773
    Accession Number: 31.109

  • Daniel Crommelin Verplanck
    Daniel Crommelin Verplanck

    John Singleton Copley (American, Boston, Massachusetts 1738–1815 London)

    Date: 1771
    Accession Number: 49.12

  • Midshipman Augustus Brine
    Midshipman Augustus Brine

    John Singleton Copley (American, Boston, Massachusetts 1738–1815 London)

    Date: 1782
    Accession Number: 43.86.4

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Related Content

  • Timeline of Art History (11)
  • Exhibitions & Events (12)

  • American Portrait Miniatures of the Eighteenth Century
  • Gilbert Stuart (1755–1828)
  • John Singleton Copley (1738–1815)
  • Late Eighteenth–Century American Drawings
  • Portrait Painting in England 1600–1800
  • Art and Identity in the British North American Colonies, 1700–1776
  • The Eighteenth–Century Pastel Portrait
  • Great Britain and Ireland, 1600–1800 A.D.
  • The United States, 1600–1800 A.D.
  • Great Britain and Ireland, 1800–1900 A.D.
  • The United States and Canada, 1800–1900 A.D.

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Exhibitions:

  • Interwoven Globe:
    The Worldwide Textile Trade,
    1500–1800

    From September 16, 2013
  • The Civil War and American Art
    From May 27, 2013
  • The American West in Bronze, 1850–1925
    From December 18, 2013

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  • Exhibition Tour—The Civil War and American Art
    July 13, 2013
  • From Washington to Lincoln in The American Wing
    July 16, 2013
  • Gallery Conversation—Literature and The Civil War and American Art
    July 17, 2013
  • Exhibition Tour—Photography and the American Civil War and The Civil War and American Art
    July 20, 2013
  • From Washington to Lincoln in The American Wing
    July 28, 2013
  • Get a Clue: Making the Most of Scavenger Hunts
    August 9, 2013

Events:

  • Exhibition Tour—The Civil War and American Art
    August 10, 2013
  • Exhibition Tour—Photography and the American Civil War and The Civil War and American Art
    August 15, 2013
  • Gallery Conversation—African American History and The Civil War and American Art
    August 21, 2013
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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
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The Boxer - An Ancient Masterpiece
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At War with the Obvious:  Photographs by William Eggleston
At War with the Obvious - Photographs by William Eggleston
852
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Making the Invisible Visible
Making the Invisible Visible - Conservation and Islamic Art
458
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The Cyrus Cylinder and Ancient Persia: Charting a New Empire
The Cyrus Cylinder and Ancient Persia - Charting a New Empire
404
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The Fall of Richmond, Virginia on the Night of April 2nd, 1865
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The Camp of the Seventh Regiment near Frederick, Maryland, 1863
The Civil War and American Art -
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African Art, New York, and the Avant Garde
African Art, New York, and the Avant-Garde -
359
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Living in Style: Five Centuries of Interior Design from the Collection of Drawings and Prints
Living in Style - Five Centuries of Interior Design from the Collection of Drawings and Prints
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Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
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The Roof Garden Commission: Imran Qureshi
The Roof Garden Commission: Imran Qureshi -
926
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 Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection
Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection -
960
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Everyday Epiphanies: Photography and Daily Life Since 1969
Everyday Epiphanies - Photography and Daily Life Since 1969
851
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Poudreuse
Furniture by Abraham and David Roentgen on loan from the Kunstgewerbemuseum, Staatliche Museen zu Berlin -
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Fabergé
Fabergé from the Matilda Geddings Gray Foundation Collection -
555
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The George M. and Linda H. Kaufman Galleries
More portraits by John Singleton Copley (1738–1815) grace this gallery. Before leaving his native Boston for England in 1774, Copley had become the leading portraitist of the colonial era. Throughout New England and New York, he depicted contemporary merchant princes, political leaders, clergymen, and their wives and children. Taking his cues from John Smibert and Joseph Blackburn, whom he quickly surpassed in skill and ingenuity, Copley studied mezzotints after contemporary British canvases the better to serve his discriminating Anglophile clients—American noblewomen of intelligence and high character and men who appreciated his gift for conveying aristocratic elegance and gentility. His career was a triumph, and he later established a highly successful practice as a portraitist and history painter in London. Hanging from the vaulted ceiling is William Rush's grand-scale carved-and-gilded eagle in full flight.

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