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Gallery 770 - American Impressionism, 1880–1920

Part of The American Wing

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American Wing Gallery 770
American Wing Gallery 770

Gallery Highlights

  • Waterfall
    Waterfall

    John Henry Twachtman (American, Cincinnati, Ohio 1853–1902 Gloucester, Massachusetts)

    Date: ca. 1889–91
    Accession Number: 09.25.2

  • Study for the Head of The Melvin Memorial
    Study for the Head of The Melvin Memorial

    Daniel Chester French (American, Exeter, New Hampshire 1850–1931 Stockbridge, Massachusetts)

    Date: 1907, cast before 1914
    Accession Number: 1974.324

  • Arques-la-Bataille
    Arques-la-Bataille

    John Henry Twachtman (American, Cincinnati, Ohio 1853–1902 Gloucester, Massachusetts)

    Date: ca. 1884
    Accession Number: 1991.130

  • Evening at the Lock, Napanoch, New York
    Evening at the Lock, Napanoch, New York

    Theodore Robinson (1852–1896)

    Date: 1893
    Accession Number: 2011.118

  • Egyptians Raising Water from the Nile
    Egyptians Raising Water from the Nile

    John Singer Sargent (American, Florence 1856–1925 London)

    Date: 1890–91
    Accession Number: 50.130.16

  • The Old Mill (Vieux Moulin)
    The Old Mill (Vieux Moulin)

    Theodore Robinson (1852–1896)

    Date: ca. 1892
    Accession Number: 10.2

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Related Content

  • Timeline of Art History (20)
  • Exhibitions & Events (11)

  • America Comes of Age: 1876–1900
  • American Bronze Casting
  • American Impressionism
  • Augustus Saint–Gaudens (1848–1907)
  • American Scenes of Everyday Life, 1840–1910
  • Americans in Paris, 1860–1900
  • Childe Hassam (1859–1935)
  • Claude Monet (1840–1926)
  • Daniel Chester French (1850–1931)
  • Impressionism: Art and Modernity
  • John Singer Sargent (1856–1925)
  • Mary Stevenson Cassatt (1844–1926)
  • Great Britain and Ireland 1800–1900
  • Nineteenth Century American Drawings
  • The Ashcan School
  • The Transformation of Landscape Painting in France
  • William Merritt Chase (1849–1916)
  • France, 1800–1900 A.D.
  • The United States and Canada, 1800–1900 A.D.
  • The United States and Canada, 1900 A.D.–present

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Exhibitions:

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    From May 27, 2013

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    May 2, 2013
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    May 2, 2013
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    May 2, 2013
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    May 3, 2013
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    May 3, 2013
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    May 4, 2013

Events:

  • Geology, Transcendentalism, and American Landscape Painting
    May 4, 2013
  • American Art
    May 5, 2013
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    May 8, 2013
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    May 8, 2013
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 After Photoshop: Manipulated Photography in the Digital Age
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Photo of Mr. Lam, courtesy of The Family of Sau-Wing Lam
The Sau-Wing Lam Collection of Rare Italian Stringed Instruments -
680
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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
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Cambodian Rattan - The Sculptures of Sopheap Pich
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Duke Francesco I d'Este
Velázquez's Portrait of Duke Francesco I d'Este - A Masterpiece from the Galleria Estense, Modena
624
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At War with the Obvious:  Photographs by William Eggleston
At War with the Obvious - Photographs by William Eggleston
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Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
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Fabergé
Fabergé from the Matilda Geddings Gray Foundation Collection -
555
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Margaret and Raymond J. Horowitz Galleries
Having met Claude Monet in Paris, probably in 1876, the expatriate John Singer Sargent was inspired to experiment with Impressionism. Throughout his successful career as a portraitist headquartered in London (as evidenced in 771), Sargent would always refresh his studio work by painting out of doors in both oils and watercolors. By 1887 several other American artists had been attracted to Giverny, on the Seine about fifty miles northwest of Paris, initially by its charm and then by the presence of Monet, who had settled in the village in May 1883 (Sargent also called on Monet there in the 1880s). Theodore Robinson became the leader of the American Giverny group, first visiting in 1885 and spending months there annually from 1887 until 1892. Back in the United States, Robinson and Childe Hassam shared their enthusiasm for French Impressionism with their American colleagues, including John H. Twachtman and J. Alden Weir, who became converts to the style.

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