C[ornelis]. Hofstede de Groot. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century. 1, London, 1907, p. 562, no. 306, as formerly in the Sellar collection; states that Dr. Bredius considers it genuine.
W[ilhelm von]. Bode. Letter. March 3, 1912, dates it about 1657–59.
Wilhelm R. Valentiner. Pieter de Hooch. New York, [1930], pp. XIV, 270, ill. p. 37 [German ed., 1929, pp. XVI–XVII, 270–71, ill. p. 37], as "Officer and Hostess"; dates it about 1656.
Peter C. Sutton. Pieter de Hooch. Ithaca, N.Y., 1980, p. 80, no. 23, pl. 20, as "surely genuine"; dates it about 1657–60.
Daniëlle H. A. C. Lokin in Delft Masters, Vermeer's Contemporaries. Exh. cat., Prinsenhof, Delft. Zwolle, The Netherlands, 1996, p. 109, fig. 93, dates it about 1657–60.
Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, pp. 360–62, no. 85, colorpl. 85, dates it about 1657–58.
Esmée Quodbach. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art." Metropolitan Museum of Art Bulletin 65 (Summer 2007), pp. 61, 70.
Walter Liedtke. Vermeer: The Complete Paintings. Antwerp, 2008, p. 72, fig. 6a.