Watch a video to find out.
Stay logged in
Go to Navigation Go to Content Go to Search
Search the collections
Close
Please enable flash to view this media. Download the flash player.
Conserving the Emperor's Carpet (00:08:32) 2893 views
True Colors: The Damascus Room (00:02:46) 330 views
Islamic Textiles and Carpets from the Met's Collection (00:23:23) 50 views
The Arts of the Book (00:29:25) 38 views
Conserving Islamic Art: Panel Discussion (00:09:20) 20 views
Revealing the Original (00:25:21) 34 views
Tent Lining Fragment
Fragment
Sash (Patka)
Hanging
Browse current and upcoming exhibitions and events.
Exhibitions:
Events:
This artwork is not on display
Foreign travelers from as early as Marco Polo knew of the quality of the embroidery produced in Gujarat, a state on India’s northwestern coast, and as soon as European trade with India picked up in the early 1600s, embroidered Gujarati textiles were identified as among the most lucrative goods for export. This fragment from a hanging is one of the earliest examples of this overseas commerce, and comes from the Ashburnham House in Sussex, England. Embroideries like this were probably made at different centers throughout Gujarat, but are usually associated with Cambay, the port from which they were exported.
Lord Ashburnham, Sussex, England(by descent from late 17th century–1953;sale, Ashburnham Palace, Sussex, through Sotheby's, London, July 7–9, 1953, lot 479; to V&A); Victoria and Albert Museum, London (1953–54; gifted to MMA through SirLeigh Ashton)