Watch a video to find out.
Stay logged in
Go to Navigation Go to Content Go to Search
Search the collections
Fullscreen
Conserving the Emperor's Carpet (00:08:32) 2880 views
True Colors: The Damascus Room (00:02:46) 329 views
Islamic Textiles and Carpets from the Met's Collection (00:23:23) 50 views
The Arts of the Book (00:29:25) 38 views
Conserving Islamic Art: Panel Discussion (00:09:20) 20 views
Revealing the Original (00:25:21) 34 views
Crown
Brocade
Panel
Brocade Fragment
Browse current and upcoming exhibitions and events.
Exhibitions:
Events:
This artwork is not on display
This ceremonial hat was made in Sulawesi, Indonesia, in the late nineteenth or early twentieth century and was created by weaving together a combination of vegetable fibers and gold thread or wire. It is one of a pair: one hat is executed in white and gold while the other is in a contrasting black and gold combination. In both cases, a band of gold containing a repeating interweave pattern rises to meet a white or black upper portion extending up to the crown. The top of each hat is finished with a roundel of gold weave, which radiates out from a small central hole.Ceremonial headdresses (songkok) such as this one are derived from the Middle Eastern fez and are early forms of the black velvet hat (peci) that became an established headwear for men in Indonesia following the country's independence in 1945. The use of precious gold thread indicates the high status of the wearer.
Raja Gowa Bone, Sulawesi, Indonesia ; Private collection, Singapore (in 2005); [ Thomas Murray, Mill Valley, CA, until 2006; sold to MMA]
Close
