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Reliquary
Reliquary, Monstrance
Reliquary Cross
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This artwork is currently on display in Gallery 306
While their choir books were richly colored, Franciscan communities frequently chose more somber verre églomisé, a reverse-glass painting technique, for reliquaries. Although the palette of the glass medallion that crowns the reliquary is limited, the overall effect of crystal and gilded metal is sumptuous. The relic, enclosed in rock crystal, is said to be Mary Magdalene's tooth.
J. C. Robinson, England; J. Pierpont Morgan, London and New York (until 1917)
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