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Digital retoucher Amy Dresser discusses manipulated photography in the digital age. Dresser modifies and composites photographs for a wide range of clients. Using her background as a painter, she brings a unique touch to the images she creates.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
Valleé de Josaphat
Bethléem grotte de la Nativité
Porte dorée, Jérusalem
Rameleh, village, Palestine
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This artwork is not on display
Inscription: Signed and inscribed in negative on print, recto LL: "Bonfils // 158"; inscribed in negative on print, recto LR: "Jérusalem. Arc de l'Ecce Homo. (Palestin"; inscribed in ink on mount, recto LC: "Arch of Ecce Homo.".
1973.594.5 mounted on verso.
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