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Mark Osterman—Process Historian, Kay R. Whitmore Conservation Center, George Eastman House, International Museum of Photography and Film—discusses the origins of photography and the history of manipulation. Using rare examples from the George Eastman House's collection as well as his own artwork, he illustrates the historical methods used by many photographers.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with the exhibition Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
James Nares: Street
(00:02:17) 18499 views
Foxtail Grass, Lake City, Colorado
Cirio Near Las Tres Virgenes Volcano, Baja California
Usnea Lichen on Palo Santo, Barrington Island, Galapagos Islands
Strangler Fig Roots, Everglades National Park, Florida
Boulders in Upper Gorge, Red River Gorge, Kentucky
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This artwork is not on display
Inscription: Signed in pencil on mount, recto LR: "Eliot Porter"; stamped and inscribed on mat, verso UL: "PHOTOGRAPH // By // ELIOT PORTER // No.70-1100 // Title Tsavo West // Kenya".
Negative date: October 1, 1970
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