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Mark Osterman—Process Historian, Kay R. Whitmore Conservation Center, George Eastman House, International Museum of Photography and Film—discusses the origins of photography and the history of manipulation. Using rare examples from the George Eastman House's collection as well as his own artwork, he illustrates the historical methods used by many photographers.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with the exhibition Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
James Nares: Street
(00:02:17) 17673 views
[Cavalry Maneuvers, Camp de Châlons]
Brig on the Water
[Manuevers, Camp de Chalons. Guard on Horseback in Foreground]
[Zouaves in Camp, Man with Basket, Camp de Chalons]
[Painting of The Campfires at Camp de Chalons by Bénédict Masson]
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This artwork is not on display
Inscription: Signed in red ink recto print, LR: "Gustave Le Gray"
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