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Digital retoucher Amy Dresser discusses manipulated photography in the digital age. Dresser modifies and composites photographs for a wide range of clients. Using her background as a painter, she brings a unique touch to the images she creates.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
James Nares: Street
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This artwork is not on display
Inscription: Inscribed in pencil on print, in margin, recto UL, LR: "6 [upside down]", "10 5/8"
This gravure was made from an enlarged copy negative. Handwritten note in hand of Weston Naef, in mat: "Do Finger marks etc. suggest this is a proof impression, possibly before steel facing"
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