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Digital retoucher Amy Dresser discusses manipulated photography in the digital age. Dresser modifies and composites photographs for a wide range of clients. Using her background as a painter, she brings a unique touch to the images she creates.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
James Nares: Street
(00:02:17) 18338 views
Nubie. Hémi-Spéos de Sébour. Pylônes
Palestine. Jérusalem. Mosquée d'Omar
Nubie. Ibsamboul. Partie septentrionale du Spéos d'Hathor
Vue du grand Sphinx et de la grande pyramide de Menkazeh (Mycerinus)
Profile du grande Sphinx, pris du Sud
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This artwork is not on display
Inscription: Inscribed in pencil on mount, recto TRC: "13"; inscribed in ink on mount, recto BL: "Egypte."; inscribed in ink on mount, recto BC: "Mosquée d'El-Arif et Tombeau de Mourad-Bey, à Souhadj."; inscribed in ink on mount, recto BR: "No. 31.".
Eugène Viollet-le-Duc (presumed); André Jammes, Paris; [Graphics International, Ltd., Washington, D.C.]; Gilman Paper Company Collection, New York, September 1, 1978
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