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Jerry Uelsmann, whose work is included in the exhibition Faking It: Manipulated Photography Before Photoshop, describes his influences and his evolution as an artist. Using multiple projectors and darkroom techniques, he creates dreamlike images that are considered precursors to manipulated photographs created using Photoshop.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with the exhibition, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
Palestine. Jérusalem. Arcades inférieures de l'Eglise du Saint-Sépulcre
Nubie. Grand Temple d'Isis, A Philoe. Vue générale prise du nord
Nubie. Grand Temple d'Isis, A Philoe
Thèbes. Médinet-Habou. Péristyle du Palais de Ramsès-Méaimoun
Haute-Égypte. Palmiers Doums
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This artwork is not on display
Inscription: Inscribed in pencil on mount, recto TRC: "25"; inscribed in ink on mount, recto BL: "Egypte."; inscribed in ink on mount, recto BC: "Grande Colonnade du Palais d'Aménophis III, à Luxor. (Thèbes)"; inscribed in ink on mount, recto BR: "No. 47.".
Eugène Viollet-le-Duc (presumed); André Jammes, Paris; [Graphics International, Ltd., Washington, D.C.]; Gilman Paper Company Collection, New York, September 1, 1978
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