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Mark Osterman—Process Historian, Kay R. Whitmore Conservation Center, George Eastman House, International Museum of Photography and Film—discusses the origins of photography and the history of manipulation. Using rare examples from the George Eastman House's collection as well as his own artwork, he illustrates the historical methods used by many photographers.
Recorded October 14, 2012
Part of a Sunday at the Met program held in conjunction with the exhibition Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.
The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.
Nubie. Grand Temple d'Isis, A Philoe
Thebes. Médinet-Habou. Propylées du Thoutmoseum
Palestine. Jérusalem. Partie occidentale des Murailles
Palestine. Jérusalem. Mosquée d'Omar
Tombeau de Sidi-Ambarek, à Garara
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This artwork is not on display
Inscription: Inscribed in pencil on mount, recto TRC: "Inédite"; inscribed in ink on mount, recto BL: Palestine."; inscribed in ink on mount, recto BC: "Façade de l'Eglise du St. Sépulcre, à Jérusalem. (No. 2 partie supérieure)"; inscribed in ink on mount, recto BR: "No. 7.".
Eugène Viollet-le-Duc (presumed); André Jammes, Paris; [Graphics International, Ltd., Washington, D.C.]; Gilman Paper Company Collection, New York, September 1, 1978
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