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Faking It Symposium: Of Spooks, Proofs, and Truths

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A Reed Boat-House

Peter Henry Emerson (British, born Cuba, 1856–1936)

Author:
Thomas Frederick Goodall (British, 1857–1944)
Printer:
Valentine of Dundee
Date:
1885–86
Medium:
Platinum print from glass negative
Classification:
Photographs
Credit Line:
Gift of Joyce F. Menschel, 2008
Accession Number:
2008.669 (32)
  • Notes

    Individual titles of the frontispiece and 39 plates are:

    "On the River Bure" (frontispiece)

    "Coming Home from the Marshes"

    "Setting the Bow-Net"

    "A Broadman's Cottage"

    "A Sailing Match at Horning, 1885"

    "The Village of Horning"

    "An Eel-Catcher's Home"

    "Taking up the Eel-Net"

    "Water-Lilies"

    "Gathering Water-Lillies"

    "Snipe-Shooting"

    "A Ruined Water-Mill"

    "The Old Order and the New"

    "A Norfolk Boat-Yard"

    "The First Frost"

    "The Haunt of the Pike"

    "Quanting the Marsh Hay"

    "Poling the Marsh Hay"

    "Setting up the Bow-Net"

    "Gunner Working up to Fowl"

    "The Fowler's Return"

    "Rowing Home the Schoof-Stuff"

    "Marshman Going to Cut Schoof-Stuff"

    "The River Bure at Coltishall"

    "Cantley: Wherries Waiting for the Turn of the Tide"

    "A Reed-Cutter at Work"

    "Towing the Reed"

    "Ricking the Reed"

    "During the Reed-Harvet"

    "A Marsh Farm"

    "Cattle on the Marshes"

    "A Reed Boat-House"

    "Cutting the Gladdon"

    "The Gladdon-Cutter's Return"

    "Quanting the Gladdon"

    "A Rushy Shore"

    " 'Twixt Land and Water"

    "Evening"

    "An Autumn Morning"

    "The Fringe of the Marsh."

  • See also
291037

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