Four Contemporary Masters: Dubuffet, Giacometti, De Kooning, Bacon, exhibition organized by the International Council of the Museum of Modern Art, New York, held in these five venues, with the following four different catalogues:
Cuatro maestros contempora?neos, Museo de Bellas Artes, Caracas, Venezuela, April 1973, exh. cat.;
Cuatro maestros contempora?neos: Giacometti, Dubuffet, De Kooning, Bacon, Museo de Arte Moderno, Bogota?, Colombia, May 30-June 28, 1973, exh cat, n.p., ill., unnumbered checklist;
Cuatro maestros contempora?neos del arte figurativo: Dubuffet, Giacometti, De Kooning, Bacon, Museo de Arte Moderno, Galeria de Exposiciones Temporales, Mexico City, Mexico, July 19-August 24, 1973, exh cat, text n.p. (introduction by Alicia Legg), unnumbered checklist;
4 mestres contemporaneous: Jean Dubuffet, Alberto Giacometti, Willem de Kooning, Francis Bacon, Museu de Arte de Sa?o Paulo, Assis Chateaubriand, September 13-October 7, 1973, and Museu de Arte Moderna do Rio de Janeiro, October 15-November 4, 1973, exh cat, n.p., unnumbered checklist, ill. no. K/5.
Willem de Kooning 1941-1959, Richard Gray Gallery, Chicago, October 4 - November 16, 1974, exh. cat. by Judith Russi Kirshner, with introduction by Harold Rosenberg, no. 19, ill.
An American Choice: The Muriel Kallis Steinberg Newman Collection,The Metropolitan Museum of Art, New York, May 21-September 27, 1981, exh. cat. by William S. Lieberman, pp. 119 (ill.), 154.
Willem de Kooning, Jean Dubuffet: The Women, Pace Gallery, New York, November 30, 1990 - January 5, 1991, exh. cat., n.p., unnumbered checklist, ill. pl. 24, and photograph by Hans Namuth showing the painting hanging in de Kooning's porch-studio at Leo and Ileana Castelli's house in East Hampton, Long Island, in summer 1953, p. ; listed in "Willem de Kooning Collections," n.p.
Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in the Metropolitan Museum of Art, The Metropolitan Museum of Art, New York, September 18, 2007 - February 3, 2008, exh. cat. edited by Gary Tinterow, Lisa Mintz Messinger, and Nan Rosenthal, no. 45, pp. 143-145 (ill., essay by Richard Shiff).