Spirit Board (Gope)

Date:
late 19th–early 20th century
Geography:
Papua New Guinea, Papuan Gulf, Gibu village, Turama River
Culture:
Turama people
Medium:
Wood, paint
Dimensions:
H. 65 5/8 in. (166.7 cm)
Classification:
Wood-Sculpture
Credit Line:
The Michael C. Rockefeller Memorial Collection, Purchase, Nelson A. Rockefeller Gift, 1961
Accession Number:
1978.412.783
  • Description

    The Papuan Gulf region encompasses the arts and cultures
    of the Gulf of Papua on the southeast coast of New Guinea.
    In the past, the primary focus of religious and artistic life
    in the region was on powerful spirits (imunu). Each imunu
    typically was associated with a specific location in the
    landscape, rivers, or sea, and was linked to the specific
    clan within whose territory it dwelt.
    Papuan Gulf wood sculpture was primarily two-dimensional,
    consisting of board-like carvings and figures with designs in
    low relief. The signature art form was the spirit board, an
    oblong plank-like object known variously as a gope, koi, or
    hohao, depending on the region in which it was made. Each
    served as a dwelling place for an individual imunu, whose
    image appears on it. Villages formerly had large communal
    men’s houses divided into cubicles, each allotted to a
    particular clan or subclan. Every cubicle contained a clan
    shrine, which housed the spirit boards, figures, human and
    animal skulls, and other sacred objects associated with the
    clan’s various imunu.

  • Provenance

    Roy James Hedlund, until 1961; The Museum of Primitive Art, New York, 1961–1978

  • See also
    What
    Where
    When
    In the Museum
    Heilbrunn Timeline of Art History
    MetPublications
50003804

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