Mask (Kavat)

Date:
1972 or 1973
Geography:
Papua New Guinea, New Britain
Culture:
Baining people
Medium:
Bamboo, barkcloth, paint
Dimensions:
H. 39 x W. 33 x D. 22 in. (99.1 x 83.8 x 55.9 cm)
Classification:
Bark-Sculpture
Credit Line:
Gift of George and Sarah Corbin, 2004
Accession Number:
2004.552.1
  • Description

    The dramatic bark cloth kavat masks created by Central
    Baining peoples are used exclusively in the night dance, a
    nocturnal performance lit by firelight. The Central Baining
    practice both day dance and night dance rites. The day
    dance, accompanied by an orchestra of women, is devoted
    to female fertility, agriculture, and the mourning of the
    dead, phenomena typically associated with the community.
    The night dance, by contrast, is accompanied by a male
    orchestra and dedicated to spirits, animals, and commodities
    associated with the surrounding forest, which are represented
    by the kavat masks. Several dozen forms of kavat masks
    exist, each of which depicts a spirit linked with a specific
    animal, plant, product, or activity associated with the
    forest. The split top of this mask indicates that it likely
    represents a spirit associated with the forks of trees.

  • Provenance

    Collected in New Britain by George Corbin, in 1972 or 1973; George and Sarah Corbin, New York, by 1973–2004

  • See also
    Who
    What
    Where
    When
    In the Museum
    Heilbrunn Timeline of Art History
50013202

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