Comprising about seventy figures and printed from three engraved plates, this print was the largest and most famous of the Haarlem engraver's collaborations with Bartholomeus Spranger, court painter to Emperor Rudolf II in Prague. The daring composition—a bravura display of elegant twisting and turning figures—was of great importance in disseminating Spranger's Mannerist aesthetic and Goltzius's virtuoso engraving style throughout Europe. As is typical of Mannerist works, the main subjects of the scene are placed in the background: the small figures of Cupid with large wings and his bride, Psyche, the mortal beauty who is being admitted to the ranks of the gods, are at the head of the table in the center. The wedding guests surround the couple; Bacchus pours the drinks, while Apollo and the Muses serenade the company. The drawing for the print is in the Rijksmuseum, Amsterdam.

Vendor: Paul McCarron

Hollstein 322, second state of four

Adam von Bartsch Le peintre gravure. 1854-1876, cat. no. Bartsch.III.85.2.

Eugène Dutuit Manuel de l'amateur d'estampes. Paris, 1884-, cat. no. Dutuit.IV.453.27.

F. W. H. Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts. vols. 1-64, Amsterdam, 1954–2010, cat. no. VIII.111.322 II.

Verzeichnis des Graphischen Werks von Hendrick Goltzius 1558-1617. Leipzig, 1921, cat. no. Hirsch.142.322.

Carmen C. Bambach, Colta Ives, Nadine Orenstein, Michiel C. Plomp, Perrin Stein "Recent Acquisitions, A Selection: 1999-2000." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 58, no. 20, Fall 2000, p. 28, ill.