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Margaret Fuller (Marchioness Ossoli)

Margaret Fuller (Marchioness Ossoli)

Albert Sands Southworth  (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts)

Artist: Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford Notch, New Hampshire)
Date: ca. 1850
Medium: Daguerreotype
Dimensions: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.)
Classification: Photographs
Credit Line: Gift of I. N. Phelps Stokes, Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes, 1937
Accession Number: 37.14.10

Browse Highlights

1486
The Crucifixion; The Last Judgment

The Crucifixion; The Last Judgment

Jan van Eyck and Workshop Assistant (Netherlandish, Maaseik ca. 1390–1441 Bruges)

Date: ca. 1430
Accession Number: 33.92ab

A Tusk Figurine of a Man

A Tusk Figurine of a Man

Date: ca. 3900–3500 B.C.
Accession Number: 23.2.31

Corner chair

Corner chair

Attributed to Joseph Armitt (died 1747)

Date: 1740–60
Accession Number: 25.115.15

Statue of Dionysos leaning on a female figure (

Statue of Dionysos leaning on a female figure ("Hope Dionysos")

Restored by Pacetti, Vincenzo

Date: 27 B.C.-A.D. 68
Accession Number: 1990.247

Standing Woman

Standing Woman

Gaston Lachaise (American (born France) 1882–1935)

Date: 1912-1915; cast 1930
Accession Number: 1984.433.34

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Browse collection highlights selected by curators from the Museum's seventeen curatorial departments.

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In addition to temporary special exhibitions, the Museum often presents new installations of permanent collection galleries that have been renovated or reconfigured based on new scholarship, acquisitions, or research.

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The Metropolitan Museum acquires hundreds of works of art each year through gifts and purchases.

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Works of art in the Museum's collections are on display in more than four hundred numbered galleries throughout the Main Building and The Cloisters. Overview descriptions of the galleries are organized by curatorial department to help you plan your visit.

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Connections invites the Met's diverse staff to offer their personal perspectives on works of art in the Museum's vast collection. Their voices range from the authoritative to the highly subjective, and touch upon any number of themes and concepts. Connections was a 2011 year-long series comprising of 100 episodes, and inspires fresh ways to approach art.