Molly Kysar, Assistant Museum Educator for Gallery and Studio Programs, Education; and Brittany Prieto, Education Programs Associate
Posted: Monday, October 22, 2012
Visitors of all ages are invited to join us this Friday, October 26, for Fright Night!, an evening of dark tales, photography workshops, drawing activities, films, and more. Inspired by the eerie images in the exhibition Faking It: Manipulated Photography Before Photoshop, the festivities will allow visitors to connect to the exhibition and the Museum's collections in a variety of spooky ways.
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Eileen Willis, Website Managing Editor
Posted: Monday, July 16, 2012
Genevieve and Alisha write about an intriguing photograph in the exhibition Spies in the House of Art, and nine new posts conclude the blog accompanying Byzantium and Islam, which closed July 8.
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Ashley Williams, Associate Administrator, Office of the Director
Posted: Wednesday, March 16, 2011
Silvia Centeno, Research Scientist, Department of Scientific Research
Posted: Wednesday, March 2, 2011
Luisa Casella, Research Scholar in Photograph Conservation, Department of Photographs
Posted: Thursday, January 20, 2011
Douglas Eklund, Associate Curator, Department of Photographs
Posted: Wednesday, September 22, 2010
Inside the museum—not just the Met but any art museum—photography has been birthed in hallways. It began to spring from the shoulders of museums' print departments in the 1920s and 1930s, when modernism was making a case for photography as an independent art form. Over the decades it has spread institutionally through the in-between spaces that architecturally mirror the medium's proudly mongrel status as both art and not art.
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Posted: Friday, February 5, 2010
A daguerreotype by Baron Jean-Baptiste Louis Gros—a work of extraordinary quality and rarity—has been acquired by the Metropolitan Museum. Both a depiction and a demonstration of what the medium was capable of at its high point in 1850s Paris, The Salon of Baron Gros shows the interior of a mid-nineteenth-century parlor believed to be that of the baron, with light streaming in from a window at left.
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