Now at the Met

Posted in Medieval Art and The Cloisters

Renovating The Cloisters: Maintaining the Vision

Peter Barnet, Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Posted: Friday, June 28, 2013

The Cloisters, Early Gothic Hall

«"Creating the Cloisters," the spring issue of the Metropolitan Museum of Art Bulletin written by curator Timothy B. Husband, is an engaging and nuanced narrative of the early history of The Cloisters. As a complement to that narrative, I'd like to review the more recent gallery renovations and reinstallations that have been undertaken, all guided by the principle of maintaining the integrity of the original architectural vision of The Cloisters.

Read More

Garden Day at The Cloisters Museum and Gardens

Emma Wegner, Assistant Museum Educator, The Cloisters Museum and Gardens

Posted: Tuesday, May 28, 2013

Garden Day at The Cloisters

«Every year in early June, we invite the public to The Cloisters museum and gardens, the branch of the Museum devoted to the art and architecture of medieval Europe, for a celebration of the gardens at the height of their glory. This year's Garden Day programs on Saturday, June 1, explore fruit and fruit culture in the Middle Ages with a focus on the care of fruit trees.

Read More

Celebrating The Cloisters

Thomas P. Campbell, Director and CEO

Posted: Friday, May 10, 2013

The Cloisters

«The Cloisters marks its seventy-fifth anniversary this year. Since its opening on May 14, 1938, it has become a treasured landmark, celebrated for both its extraordinary setting and its world-class collection of medieval art and architecture. Located in Fort Tryon Park, a verdant oasis on the northern tip of Manhattan, the building commands sweeping views of the Hudson River and the towering Palisades on the river's opposite bank. The quiet of the lush gardens and the magnificence of the historic architecture create an ideal setting for the outstanding collection within.

Read More

The French Franciscan Cloister in New York

Céline Brugeat, 2011–2012 Annette Kade Fellow

Posted: Thursday, September 27, 2012

Element from Cordeliers of Tarbes at the Cloisters

The Cloisters incorporates significant sculptural ensembles from medieval cloisters from the south of France, traditionally identified as coming from four sites: Saint-Guilhem-le-Désert, Saint-Michel-de-Cuxa, Trie-en-Bigorre, and Bonnefont-en-Comminges. (Ensembles from a fifth French medieval cloister come from Froville, in northern France.) Bonnefont Cloister includes two galleries that frame a beautiful medieval garden overlooking the Hudson River.

Read More

From the Blogs

Eileen Willis, Website Managing Editor

Posted: Monday, July 16, 2012

Genevieve and Alisha write about an intriguing photograph in the exhibition Spies in the House of Art, and nine new posts conclude the blog accompanying Byzantium and Islam, which closed July 8.

Read More

Lisbon's Hebrew Bible: An Enlightened Acquisition

Barbara Drake Boehm, Curator, Department of Medieval Art and The Cloisters; and Melanie Holcomb, Associate Curator, Department of Medieval Art and The Cloisters

Posted: Monday, January 9, 2012

Reading Room of the National Library of Portugal, Lisbon

Catalogue

Reading Room of the National Library of Portugal, Lisbon

By any standards, Lisbon's Hebrew Bible—now on view at the Met—is a masterpiece of medieval illumination. Its acquisition in 1804 by the National Library of Portugal may be credited to the enlightened intellectualism of the institution's first librarian, António Ribeiro dos Santos. The library had been founded by Queen Maria I on February 29, 1796, as the "Royal Public Library of the Court," at the instigation of Fra Manuel do Cenáculo Villas-Boas, bishop of Beja and archbishop of Evora. The archbishop's own collections, those of Ribeiro dos Santos, and those of Portugal's Jesuit Colleges formed the nucleus of the collection. In that distinctly Roman Catholic context, the Library's early acquisition of an illuminated Hebrew Bible may seem, at first, a surprising addition. After all, the Jewish community of Portugal had been forcibly expelled in 1496, and the Inquisition did not officially end there until 1821.

The First Librarian

Catalogue

Portuguese Painter. António Ribeiro dos Santos, 1790 (?). Oil on canvas. Galeria dos Directores, Colecção de Pintura da  Biblioteca Nacional de Portugal, Lisbon

In every regard, the training and background of António Ribeiro dos Santos, the first librarian, seem very traditional and church oriented. Born in 1745 in Oporto, he was sent to Brazil to study under Jesuits in Rio de Janeiro. When he returned to Portugal in 1764, he studied canon law at University of Coimbra, completing his dissertation in 1771. Six years later, he was named librarian of his university. In his official portrait, preserved at the National Library, he wears the Insignia of the Royal Military order of Saint James of the Sword, founded in the Middle Ages as an order of knights for the protection of Christian pilgrims to Santiago de Compostela. Looking beyond his résumé and his official portrait, however, it becomes apparent that Ribeiro dos Santos was possessed of a more independent spirit than appearances would suggest.

Catalogue

The eighteenth-century Joanina Library of the University of Coimbra, Portugal

An Enlightened Thinker

We can begin to glimpse something of his patterns of thinking by considering the guidelines that he drafted for the Coimbra university library during his tenure there, especially concerning the acquisition of books to enhance its collections. Ribeiro dos Santos felt strongly that the collections should be constantly enriched, and advocated including books that historically had been forbidden by the defunct Royal Censorship Board. (At the National Library, these would eventually include a fifteenth-century Portuguese edition of a Perpetual Almanac, the work of Abraham Zacuto, a Jewish mathematician and astronomer, who had been in the employ of the Portuguese King Manuel I before the Expulsion.)

As director of the university library, Ribeiro dos Santos argued in favor of opening the collections to the public, so that people could be informed about arts and sciences in other nations. Ribeiro dos Santos is also recognized today for his opposition to slavery and for wrestling with issues such as capital punishment. When accused of espousing populist and republican doctrines, Ribeiro dos Santos defended his notion of tolerance to the Court as rooted in the faith of the Catholic Church.

Ribeiro dos Santos's publications attest to his deep interest in the contributions of different historic cultures—including Greek, Visigothic, Arabic, and Celtic—to the Portuguese language. Moreover, he published a multivolume series of memories about the sacred literature of the Portuguese Jews, from the Middle Ages to the eighteenth century. He also studied historical, anti-Jewish writings by ecclesiastics, including his Portuguese predecessors, and the "Civil and Religious Status of Portuguese Jews and their Emigration to Different Parts of the World" in two volumes. Indeed, some consider Ribeiro dos Santos the first Portuguese intellectual since the Expulsion to have had a positive view of Judaism.

"The Oldest and Most Rare Hebrew Manuscript"

Against this background, António Ribeiro dos Santos was, it seems to us, in a position to be particularly receptive to a missive sent in 1804 from the Portuguese ambassador Francisco Maria de Brito, advocating the acquisition of "the oldest and most rare Hebrew manuscript," then being offered for sale at the Hague. Ribeiro dos Santos, in turn, obtained royal patronage to support the purchase of the manuscript.

Catalogue

Detail of folio 304r, with Jonah and the Whale, from the Cervera Bible, illuminated by Joseph the Frenchman, Spain, 1299–1300. Tempera, gold, and ink on parchment. Biblioteca Nacional de Portugal, Lisbon (BNP, IL.72)

As the images seen at the Metropolitan Museum this winter and the details illustrated here attest, the ambassador's enthusiasm was more than warranted. At the same time, both the ambassador's and the librarian's enthusiasm for the book may also be a reflection of a new era, for around 1800 Portugal decided to invite Jews back into the country as part of an effort to bolster the country's economy. But against the backdrop of the library's other early acquisitions, it seems more simply a reflection of a "catholic" (in the literal sense, meaning "universal") interest in learning. In that regard, it is worth noting that in 1805, the year after the purchase of the illuminated Hebrew Bible, Ribeiro dos Santos arranged for the National Library to purchase a Gutenberg Bible.

The images of the Cervera Bible, a recognized National Treasure of Portugal, are now available online, a development that Ribeiro dos Santos would surely have approved.

Catalogue

Detail of folio 147r (left) and folio 318v (right)


Further Reading

Domingos, Manuela D. Subsídios para a história da Biblioteca Nacional, Lisbon, 1995

Do Terreiro do Paço ao Campo Grande: 200 anos da Biblioteca Nacional, (exh. cat.), Lisbon, 1997

Libório, Fátima. Guia da Biblioteca Nacional, Lisbon, 1996

Pereira, José Esteves. O pensamento politico em Portugal no século XVIII: António Ribeiro dos Santos, Lisbon, 1983

Prato, Jeonathan. "Ribeiro dos Santos, António," Encyclopaedia Judaica, Michael Berenbaum and Fred Skolnik, eds., 2nd ed., Detroit, 2007, vol. 17, 280–281

The Washington Haggadah: Of Mice and Men

Barbara Drake Boehm, Curator, Department of Medieval Art and The Cloisters; and Melanie Holcomb, Associate Curator, Department of Medieval Art and The Cloisters

Posted: Tuesday, June 7, 2011

«As our presentation of the Washington Haggadah enters its final month, we turn not to the end of the book but to the first page of the manuscript. In both word and image, this page proclaims the privilege of preparing for Passover.

Read More

The Washington Haggadah: The Delights of Ornament

Melanie Holcomb, Associate Curator, Department of Medieval Art and The Cloisters; and Barbara Drake Boehm, Curator, Department of Medieval Art and The Cloisters

Posted: Friday, May 6, 2011

«This week we turned the pages in the Washington Haggadah, which is on loan to the Museum from the Library of Congress through July 4.

Read More

The Washington Haggadah: Participating in Passover

Barbara Drake Boehm, Curator, Department of Medieval Art and The Cloisters; and Melanie Holcomb, Associate Curator, Department of Medieval Art and The Cloisters

Posted: Monday, April 18, 2011

«The illustrations of the Washington Haggadah, currently on loan to the Metropolitan from the Library of Congress, suggest—with a touch of humor and not a little humanity—some of the challenges inherent in following the instructions for celebrating the Passover seder.

Read More

A Visit to The Cloisters

Thomas P. Campbell, Director and CEO

Posted: Tuesday, July 27, 2010

John D. Rockefeller Jr. once said, "I can think of nothing so unpleasant as a life devoted to pleasure." How extraordinary, then, that he would create perhaps the most idyllic retreat on the island of Manhattan: The Cloisters Museum and Gardens in Fort Tryon Park.

Read More

Results per page

About this Blog

Now at the Met offers in-depth articles and multimedia features about the Museum's current exhibitions, events, research, announcements, behind-the-scenes activities, and more.

Categories