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Posted in Arms and Armor

The Devoted Collector: William H. Riggs and the Department of Arms and Armor

Aleksandr Gelfand, Intern, Museum Archives

Posted: Wednesday, January 16, 2013

Portrait of William H. Riggs taken in Paris, about 1858

On Friday, May 9, 1913, the ship La France steamed into New York Harbor carrying William Henry Riggs, a wealthy American and lifelong collector of arms and armor. Riggs was returning from France to his native city for the first time in over forty years in order to donate his impressive collection to The Metropolitan Museum of Art.

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Marking the Arms and Armor Centennial

Donald J. La Rocca, Curator, Arms and Armor

Posted: Wednesday, January 2, 2013

Arms and Armor

One hundred years ago, on October 28, 1912, the Trustees of The Metropolitan Museum of Art officially created the Department of Arms and Armor. From relatively modest beginnings, the department rapidly developed into one of the finest and most comprehensive collections of its type in the world.

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Fellows Series: The Etched Decoration of German Renaissance Armor

Stefan Krause, 2010–2011 Andrew W. Mellon Fellow

Posted: Friday, November 18, 2011

«Armor made from steel plates that covered almost the entire body was developed around the late fourteenth century in Northern Italy, and spread north of the Alps soon after. Most early examples were plain, but by the middle of the fifteenth century armorers began to emboss surfaces with ridges and grooves and add gilt copper-alloy applications, transferring current tastes in civilian fashion to create sumptuous garments of steel. The turn of the sixteenth century saw the first elements of armor embellished with etching, a technique that dominated the decor until the end of armor as an art form, in the middle of the seventeenth century.

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Sunday at the Met: Legends and True Stories

Joseph Loh, Managing Museum Educator, Public and Exhibition Programs

Posted: Friday, January 29, 2010

«As the educator responsible for the Sunday at the Met lecture series, I plan about twenty to twenty-five different events a year. The programs usually include one or two talks, and may also feature a film or a demonstration. They are often held in conjunction with a current exhibition, a special theme, or an interesting connection to the Museum's vast permanent collection. My job is much like that of a Broadway producer, director, travel agent, and stagehand all rolled into one. Even though it's a lot of work, I wouldn't trade it for anything! I'm lucky that there are many talented people throughout the Museum who help out.

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