Aleksandr Gelfand, Intern, Museum Archives
Posted: Wednesday, January 16, 2013
On Friday, May 9, 1913, the ship La France steamed into New York Harbor carrying William Henry Riggs, a wealthy American and lifelong collector of arms and armor. Riggs was returning from France to his native city for the first time in over forty years in order to donate his impressive collection to The Metropolitan Museum of Art.
Read More
Donald J. La Rocca, Curator, Arms and Armor
Posted: Wednesday, January 2, 2013
One hundred years ago, on October 28, 1912, the Trustees of The Metropolitan Museum of Art officially created the Department of Arms and Armor. From relatively modest beginnings, the department rapidly developed into one of the finest and most comprehensive collections of its type in the world.
Read More
Stefan Krause, 2010–2011 Andrew W. Mellon Fellow
Posted: Friday, November 18, 2011
«Armor made from steel plates that covered almost the entire body was developed around the late fourteenth century in Northern Italy, and spread north of the Alps soon after. Most early examples were plain, but by the middle of the fifteenth century armorers began to emboss surfaces with ridges and grooves and add gilt copper-alloy applications, transferring current tastes in civilian fashion to create sumptuous garments of steel. The turn of the sixteenth century saw the first elements of armor embellished with etching, a technique that dominated the decor until the end of armor as an art form, in the middle of the seventeenth century.
Read More
Joseph Loh, Managing Museum Educator, Public and Exhibition Programs
Posted: Friday, January 29, 2010
«As the educator responsible for the Sunday at the Met lecture series, I plan about twenty to twenty-five different events a year. The programs usually include one or two talks, and may also feature a film or a demonstration. They are often held in conjunction with a current exhibition, a special theme, or an interesting connection to the Museum's vast permanent collection. My job is much like that of a Broadway producer, director, travel agent, and stagehand all rolled into one. Even though it's a lot of work, I wouldn't trade it for anything! I'm lucky that there are many talented people throughout the Museum who help out.
Read More