Drop-front secretary (secrétaire à abattant or secrétaire en armoire)
Artwork Details
- Title: Drop-front secretary (secrétaire à abattant or secrétaire en armoire)
- Maker: Guillaume Benneman (active 1785, died 1811)
- Modeler: Mounts modeled by Louis Simon Boizot (French, Paris 1743–1809 Paris)
- Modeler: and Martin, possibly Gilles-François Martin (ca. 1713–1795)
- Maker: and Michaud
- Maker: Probably cast by Etienne-Jean Forestier (died 1768, master 1764)
- Maker: Pierre-Auguste Forestier
- Maker: Chased by Pierre Philippe Thomire (French, Paris 1751–1843 Paris)
- Maker: and Bardin
- Maker: and Tournay and others
- Maker: Gilded by Galle
- Factory director: Under the direction of Jean Hauré (born 1739, active 1774–after 1796)
- Date: 1786–87
- Culture: French, Paris
- Medium: Oak veneered with tulipwood, kingwood, holly partly stained green, ebony, and mahogany; brèche d'Alep marble (not original); modern leather; gilt-bronze mounts
- Dimensions: H. 63-1/2 x W. 32 x D. 15 in. (161.3 x 81.3 x 38.1 cm)
- Classification: Woodwork-Furniture
- Credit Line: Gift of Mr. and Mrs. Charles Wrightsman, 1971
- Object Number: 1971.206.17
- Curatorial Department: European Sculpture and Decorative Arts
Audio
2268. Drop-front Secretary (Secrétaire à abattant or secrétaire en armoire)
DANIËLLE KISLUK-GROSHEIDE: All these wonderful works of art were really a collaborative effort.
NARRATOR: Daniëlle Kisluk-Grosheide.
DANIËLLE KISLUK-GROSHEIDE: This particular piece was made by Guillaume Benneman. And thanks to the bills that have been preserved, we also know many of the other craftsmen that were involved in the making of this particular piece.
NARRATOR: Strict guild regulations led to a high degree of specialization. For these gilt-bronze mounts alone, three artisans made models. Another cast these models in molds. Several others chased, or finished, them. This created a variety of surfaces to reflect light differently. And finally, yet another artisan gilded them with a mixture of ground gold and highly toxic mercury. This resulted in some of the finest mounts ever made by Parisian artisans. The large classical female figures are sculptures in their own right, and the latest expression of Neoclassical taste. Louis XVI commissioned this unusually tall writing secretary for one of his hunting castles, the Château de Compiègne. The lavish piece represented the kind of extravagant spending that led, in part, to the French Revolution that brought down the ancien régime.
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