Shabti of Tenetshedkhonsu
This mummiform funerary figure (shabti) represents a woman named Tenetshedkhonsu. Tenetshedkhonsu probably would have had about 400 such figures buried with her, comprising one mummiform worker for each day of the year and one overseer for each 10-day week. Mummiform shabtis were meant to carry out manual labor on behalf of the deceased in the afterlife, using the hoe held in each hand and the basket on the back. This figure bears an inscription that reads: "the illuminated one, the Osiris, Tenetshedkhonsu." This refers to the owner’s wish to become one of the transfigured dead who are brought back to life by the rays of the sun as it passed through the netherworld.
This shabti likely comes from the Bab el-Gusus, a large undecorated tomb that contained the burials of 153 different individuals. It appears to come from a box that held some shabtis like this one, bearing the name Tenetshedkhonsu, with a blue wig and black fillet (headband). Other shabtis from the same box had black wigs instead, and some bore a variation on her name, spelled Tashedkhonsu rather than Tenetshedkhonsu (see e.g. Louvre E 22094. There is no consistency, with the two different wig styles used with either version of the name on variously sized examples.
Two sets of coffins inscribed for women with the name Tashedkhonsu were found in the Bab el-Gasus. One had only the title of Chantress of Amun, while the other bore higher status titles, including Noblewoman and Singer in the Choir of Mut. However, there was apparently only one shabti box, so there is no way to tell for which of these woman The Met’s shabti was made.
This shabti likely comes from the Bab el-Gusus, a large undecorated tomb that contained the burials of 153 different individuals. It appears to come from a box that held some shabtis like this one, bearing the name Tenetshedkhonsu, with a blue wig and black fillet (headband). Other shabtis from the same box had black wigs instead, and some bore a variation on her name, spelled Tashedkhonsu rather than Tenetshedkhonsu (see e.g. Louvre E 22094. There is no consistency, with the two different wig styles used with either version of the name on variously sized examples.
Two sets of coffins inscribed for women with the name Tashedkhonsu were found in the Bab el-Gasus. One had only the title of Chantress of Amun, while the other bore higher status titles, including Noblewoman and Singer in the Choir of Mut. However, there was apparently only one shabti box, so there is no way to tell for which of these woman The Met’s shabti was made.
Artwork Details
- Title: Shabti of Tenetshedkhonsu
- Period: Third Intermediate Period
- Dynasty: Dynasty 21
- Date: ca. 1070–945 B.C.
- Geography: Presumably from Egypt, Upper Egypt, Thebes, Deir el-Bahri, Bab el-Gusus, Burial of Ta/Tenetshedkhonsu (Daressy A.137 or A.138), Egyptian Antiquities Service excavations, 1891
- Medium: Faience
- Dimensions: H. 12.4 × W. 4.1 × D. 2.8 cm (4 7/8 × 1 5/8 × 1 1/8 in.)
- Credit Line: Gift of Helen Miller Gould, 1910
- Object Number: 10.130.1053b
- Curatorial Department: Egyptian Art
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.