Teen Blog

 

Sigh

Evelin, TAG Member

Posted: Wednesday, May 22, 2013

Left: Claude Monet (French, 1840–1926), Garden at Sainte-Adresse (67.241); Right: Claude Monet (French, 1840–1926), La Grenouillère (29.100.112)

«It's been a long day. You've been knocked around a couple of times. You sit down, and your eyes slowly begin to close. It's time to breathe a sigh of relief, take a break, and transport yourself to a different, more peaceful place. Two works by the Impressionist painter Claude Monet (1840–1926) allow you to do just that.

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The Changing Face of Art

Ethan, TAG Member

Posted: Friday, May 17, 2013

Claude Monet (French, 1840–1926) | Rouen Cathedral: The Portal (Sunlight) | 30.95.250

«As the nineteenth century drew to a close, popular art experienced a number of changes, many of which were influenced by the rapidly changing culture and environment of the day. The prevalent, Salon-accepted style of painting in the 1870s and 80s valued the seamless blending of paint and focused on classical, historical themes. As society was redefined by the Industrial Revolution, a new art form began to take shape. Artists such as Édouard Manet (1832–1883) began to present works that were much less uniform in their surface texture and had visible brushstrokes. We now know these painters as the Impressionists.

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Transitory Elegance

Audrey, TAG Member

Posted: Wednesday, May 15, 2013

Pierre-Auguste Cot | Springtime | 2012.575

«Sweet, elegant, loving, beauty: these are the words that come to mind when I look at Springtime by Pierre-Auguste Cot. After hearing one of our amazing educators, Kathy Galitz, speak about it, though, I have a new feeling about what this and the other pieces in gallery 827 represent.

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First Impressions (Sorry, I Had To)

Cheeky Swagger (a.k.a. Dan), TAG Member

Posted: Friday, May 10, 2013

European Paintings Gallery 827

«The Teen Advisory Group recently set out to learn about Impressionist art. Captained by Associate Museum Educator Kathy Galitz, we actually began our journey not with Impressionist art itself but with a brief exposé on what is lovingly referred to as "academic" art. Yes, academic.

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Photographer as Subject

Maleficent Twemlow (a.k.a. Anna), TAG Member

Posted: Thursday, May 2, 2013

Henry P. Moore (American, 1833–1911) | Negroes (Gwine to de Field), Hopkinson's Plantation, Edisto Island, South Carolina | 2005.100.1137

«Sometimes, in discrete moments of boredom-induced reflection, I begin to think about why certain things have survived from the past and others haven't. I wonder whether it is through sheer dumb luck that some artworks are preserved while others are lost, and whether the creators of the surviving works had any idea that their work would last for so long and be seen by so many eyes.

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When Sitting on a Porch Means So Much More

Kristen, TAG Member

Posted: Monday, April 22, 2013

Alexander Gardner (American, 1821–1882) | Brigadier General Gustavus A. DeRussy and Staff on Steps of Arlington House, Arlington, Virginia | 1986.1166.2

«Curator Jeff L. Rosenheim recently spoke to the Teen Advisory Group about the current exhibition Photography and the American Civil War. As part of his talk, he showed us an 1864 photograph of Union soldiers posing on the front steps of Robert E. Lee's Virginia home, which the government had confiscated in 1861.

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Historical Photographs: Windows into the Past

Genevieve, TAG Member

Posted: Thursday, April 11, 2013

Timothy H. O'Sullivan | A Harvest of Death, Gettysburg, Pennsylvania | 2005.100.1201

«Photographs play an important role in history by documenting moments in time. When people look at historical photographs, they are able to peer into worlds they previously could only imagine.

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Curiosity Carries Within

Evelin, TAG Member

Posted: Wednesday, April 3, 2013

Henri Matisse (French, 1869–1954) | Seated Nude Asleep | 1999.363.39

«Seeing the work of Henri Matisse—the French artist who experimented with different methods such as painting, printmaking, and sculpture—makes me want to know more about art in general.

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Salvador Dalí

Theo, High School Intern

Posted: Wednesday, March 27, 2013

Salvador Dalí (Spanish, 1904–1989) | left: The Accommodations of Desire, 1929 || right: Madonna, 1958

«My family has a penchant for strolling through museums. I've appreciated this more as I've gotten older, but as a kid I got bored easily. Pausing before a piece by Salvador Dalí was always an incredible relief, and I came to crave the fluid style and disturbing clutter of his work.

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A Painting as an Experience

Maleficent Twemlow (a.k.a. Anna), TAG Member

Posted: Monday, March 18, 2013

Mark Rothko | No. 16 | 1971.14

«"A painting is not a picture of an experience; it is an experience." –Mark Rothko

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About this Blog

This blog, written by the Metropolitan Museum's Teen Advisory Group (TAG) and occasional guest authors, is a place for teens to talk about art at the Museum and related topics.

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