Among the highlights of the exhibition are the wood heads, half-figures, and full figures carved by Fang masters. Created to be positioned at the summit of bark receptacles, the works are striking for their synthesis of intensely introspective contemplation and physical dynamism. Two of the most renowned Fang creations are reunited here for the first time since they were in the collection of the sculptor Jacob Epstein during the first half of the twentieth century: the Female Figure once owned by Derain and now by the Metropolitan; and Seated Female ("Black Venus"), a stunning figure unrivaled in its synthesis of elegance, grace, and physical power, on loan from Musée Dapper in Paris. These two exceptional masterpieces were part of the early wave of African artifacts to arrive in Europe that came to be identified as muses to a new direction in the history of art.
Also featured are two-dimensional wood figurative elements sheathed in precious metals created by the Kota and Mahongwe peoples in Gabon and the Republic of Congo. Among the seminal examples on view is a Sculptural Element from a Reliquary Ensemble (Musée du Quai Branly) created by a Kota artist. Made of wood, brass, and copper, this historically important piece was collected over the course of an exploratory journey to the region by the French 1883 expedition led by Pierre Savorgnan de Brazza. It entered the French national collections and was included in the earliest exhibition of artifacts from the region at the Orangerie du Jardin des Plantes in 1886, sponsored by France to promote interest in its colonial expansion.
Yet another distinctive genre consists of Bwende and Bembe soft sculptures from the Republic of Congo, with their emphasis on a vibrant red palette, strategic use of contrasting textile patterns, and grand cosmic gestures that announce their role as active intermediaries with the divine. Among the most spectacular and rare examples is a lifesize Female Figure by the Bwende master Makosa of Kingoyi that was collected by the Swedish missionary Efraim Andersson in 1938 (Museum of World Culture).