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Infinite Jest: Caricature and Satire from Leonardo to Levine
September 13, 2011–March 4, 2012
Works of Art (101-177 of 177 Results)
From Eaton
Philippe Jacques de Loutherbourg
(French, Strasbourg 1740–1812 London)
Date: December 8, 1776
Medium: Etching; third state of three
Accession Number: 62.600.556
From Soho
Philippe Jacques de Loutherbourg
(French, Strasbourg 1740–1812 London)
Date: December 26, 1776
Medium: Etching; third state of three
Accession Number: 62.600.557
All Who See Me Jeer at Me (Omnes Videntes me Deriserunt me)
Joseph François Foulquier
(French, Toulouse 1744/45–1789 Martinique)
Date: 1773
Medium: Etching
Accession Number: 62.602.36
Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(1-8)
Crowned Heads, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(1)
All Nations, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(2)
France, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(3)
Germany, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(4)
Bavaria, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(5)
Italy, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(6)
Spain, Scotland, and Switzerland, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(7)
America, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Medium: Wood engraving
Accession Number: 63.698.1(8)
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
Designed by George Augustus Sala
(British, London 1828–1895 Hove)
Date: 1850
Medium: Lithography
Accession Number: 63.698.6
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
George Augustus Sala
(British, London 1828–1895 Hove)
Date: 1850
Medium: Wood engraving
Accession Number: 63.698.6(17)
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
George Augustus Sala
(British, London 1828–1895 Hove)
Date: 1850
Medium: Wood engraving
Accession Number: 63.698.6(18)
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
George Augustus Sala
(British, London 1828–1895 Hove)
Date: 1850
Medium: Wood engraving
Accession Number: 63.698.6(19)
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done
George Augustus Sala
(British, London 1828–1895 Hove)
Date: 1850
Medium: Wood engraving
Accession Number: 63.698.6(20)
The Hen That Hatched This Egg (Henry L. Stephens): Title Page, The Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Medium: Color lithography with watercolor and gum
Accession Number: 64.629.47(1)
Same Old Coon (Henry Clay), from The Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Medium: Color lithography with watercolor and gum
Accession Number: 64.629.47(5)
J. Pierpont Morgan
Joseph W. Simpson
(British, Carlisle, Cumbria 1879–1939 London)
Date: ca. 1906
Medium: Ink and gouache
Accession Number: 66.620.9
An Englishman at Mabille (Un Anglais à Mabille), from Galerie pour Rire, no. 34
After Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1861
Medium: Color lithograph
Accession Number: 66.628.13
Caricature of the Painter Pierre-Charles Jombert
François André Vincent
(French, Paris 1746–1816 Paris)
Date: 1773–75
Medium: Black chalk
Accession Number: 67.275
Les Invisibles (The Invisible Ones)
William Brocas
(Irish, ca. 1794–1868)
Date: 1810
Medium: Hand-colored etching with roulette
Accession Number: 67.539.60
The Fashions of the Day – or Time Past and Time Present: The Year (1740) a Lady's Full Dress of Bombazeen – The Year (1808) Lady's Undress of Bum-be-seen
Anonymous, Irish, 19th century
Date: ca. 1808
Medium: Hand-colored etching
Accession Number: 67.539.67
The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs)
Anonymous, French, 18th century
Date: second half 18th century
Medium: Etching
Accession Number: 67.734.5
The Fat Kitchen, from the series Monkeys
Peeter van der Borcht
(Netherlandish, Mechelen ca. 1545–1608 Antwerp)
Date:
Medium: Etching; second state
Accession Number: 68.776.11
Echo of the Concours Galland (Echo du Concours Galland)
O. Deleiderrier
(Swiss (?), 19th century)
Date: 19th century
Medium: Pen and black ink, blue wax crayon, and graphite
Accession Number: 69.524.4
Laceing [sic] a Dandy
Anonymous, British, 19th century
Date: January 26, 1819
Medium: Hand-colored etching
Accession Number: 69.524.35
Modern Oddities by P. Pry Esq., Plate 1st: The Sleeves Curiously Cut, Ay There's the Villainy - vide Shakespeare
William Heath ('Paul Pry')
(British, London 1795–1840 Hampstead)
Date: June 30, 1829
Medium: Hand-colored etching
Accession Number: 69.524.42
The Pit Door/ La Porte du Parterre
After Robert Dighton the Elder
(British, London ca. 1752–1814 London)
Date: November 9, 1784
Medium: Mezzotint
Accession Number: 69.584.10
The Bum Shop
Attributed to R. Rushworth
(British, active 1785–86)
Date: July 11, 1785
Medium: Hand-colored etching
Accession Number: 1970.541.12
Dandies in Rotten Row
Attributed to William Heath ('Paul Pry')
(British, London 1795–1840 Hampstead)
Date: January 21, 1819
Medium: Hand-colored etching
Accession Number: 1970.541.120
L'Entrée au Musée
Anonymous, French, 19th century
Date: 1808
Medium: Hand-colored etching
Accession Number: 1970.541.161
A Real Rubber! At Whist
George Hunt
(British, active 1820–45)
Date: ca. 1825
Medium: Hand-colored etching and aquatint
Accession Number: 1970.541.210
The Fashions of 1830: A Further Degree of Perfection (Encore un dégré de perfection: Modes de 1830)
Anonymous, French, 19th century
Date: 1829
Medium: Lithograph, hand-colored
Accession Number: 1971.564.193
The Marquis de Vandières, Abbé Jean-Bernard Le Blanc, Germain Soufflot, and Charles-Nicolas Cochin, the Younger
Pier Leone Ghezzi
(Italian, Comunanza near Ascoli Piceno 1674–1755 Rome)
Date: ca. 1750
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 1972.84
Joseph Henry of Straffan, Co. Kildare
Pier Leone Ghezzi
(Italian, Comunanza near Ascoli Piceno 1674–1755 Rome)
Date: 1744–51
Medium: Pen and brown ink, over traces of black chalk
Accession Number: 1973.67
A Grotesque Couple: Old Woman with an Elaborate Headdress and Old Man with Large Ears and Lacking a Chin
attributed to Giovanni Francesco Melzi
(Italian, Milan 1491/93–ca. 1570 Vaprio d'Adda)
Date: 1491/93–1570
Medium: Pen and brown ink
Accession Number: 1975.96
Group of Caricatured Figures with an Artist Drawing
Circle of Guercino (Giovanni Francesco Barbieri)
(Italian, Cento 1591–1666 Bologna)
Date: 1612–66
Medium: Pen and brown ink, brush and gray wash
Accession Number: 1975.131.37
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century
Date: 1817
Medium: Etching, hand-colored
Accession Number: 1975.607.4
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century
Date: 1817
Medium: Etching, hand-colored
Accession Number: 1975.607.5
Caricature of the Artist's Younger Brother Marie-Alexandre-François
François André Vincent
(French, Paris 1746–1816 Paris)
Date: 1776
Medium: Pen and brown ink, brush and brown wash
Accession Number: 1976.189
A Voluptuary Under the Horrors of Digestion
James Gillray
(British, Chelsea 1756–1815 London)
Date: July 2, 1792
Medium: Hand-colored etching
Accession Number: 1976.602.22
French Liberty. British Slavery
James Gillray
(British, Chelsea 1756–1815 London)
Date: December 21, 1792
Medium: Hand-colored etching
Accession Number: 1976.602.26
Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture
In the manner of the circle of Giuseppe Arcimboldo
(Italian, Milan (?) 1527?–1593 Milan)
Date: after 1569
Medium: Engraving
Accession Number: 1977.652.1
Implements Animated, Pl. 1, Dedicated to the Carpenters and Gardeners of Great Britain
Charles Williams
(British, active 1797–1830)
Date: 1811
Medium: Hand-colored etching
Accession Number: 1978.599.1
A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: May 17, 1852
Medium: Lithograph; second state of two (Delteil)
Accession Number: 1980.1114.2
Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq)
Pierre Nolasque Bergeret
(French, Bordeaux 1782–1863 Paris)
Date: 1805
Medium: Hand-colored pen lithograph
Accession Number: 1984.1026.1
Fameux Jury de Peinture. Salon de 1841
Clément Pruche
(French, active 1831–70)
Date: March 20, 1841
Medium: Lithograph
Accession Number: 1985.1123.156
The Art Connoisseurs (Les Amateurs de Tableaux), from the series Recueil des Grimaces (Collection of Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823–28
Medium: Hand-colored lithograph
Accession Number: 1989.1062
A Giant Monkey in Uniform Holding up Pierrot and a Man with a Whip
Anonymous, French, Austrian or German, second decade19th century
Date: after 1825
Medium: Lithograph touched with pen and brown ink and graphite
Accession Number: 1990.1064.1
Nadar's Pantheon (Panthéon Nadar)
Nadar
(French, Paris 1820–1910 Paris)
Date: 1854
Medium: Lithograph
Accession Number: 1993.1079
The Dance of the World
attributed to Pieter Balten
(Netherlandish, Antwerp 1526/27–1584 Antwerp)
Date: mid-16th century
Medium: Engraving; second state
Accession Number: 1997.370
Studies of Four Englishmen, after James Gillray
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: ca. 1817–25
Medium: Brush and brown ink on calque; mounted on wove paper
Accession Number: 2000.218
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412a
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze of 8 plates
Accession Number: 2002.412a–h
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412b
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412c
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412d
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412e
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412f
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412g
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Medium: Etching, frieze 1 of 8 plates
Accession Number: 2002.412h
Caricature of Eugène Delacroix Painting Medea about to Kill Her Children
Benjamin Roubaud (called "Benjamin")
(French, 1811–1847)
Date: 1839
Medium: Lithograph
Accession Number: 2005.337
From Warwick Lane
Philippe Jacques de Loutherbourg
(French, Strasbourg 1740–1812 London)
Date: May 1, 1790
Medium: Etching
Accession Number: 2007.49.362
Sheet of Rebuses with Birds with Human Heads
Anonymous, French, 19th century
Date: ca. 1834
Medium: Etching and engraving on laid paper
Accession Number: 2007.49.390
Artur Rubinstein
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1981
Medium: Lithograph
Accession Number: 2008.290
Two Grotesque Heads
Hans Liefrinck
(Augsburg (?) 1518?–1573 Antwerp)
Date: 1538–73
Medium: Engraving
Accession Number: 2008.577.3
Caricature of a Man Pointing
Gian Lorenzo Bernini
(Italian, Naples 1598–1680 Rome)
Date: 1610–80
Medium: Pen and brown ink
Accession Number: 2008.600
The Headache, A Print after George Cruikshank
Enrique Chagoya
(American, born Mexico 1953)
Date: 2010
Medium: Etching with digitally printed color on gampi paper chine collé; printer's proof; 5/10
Accession Number: 2010.285
The Bush Years: A Summary
Siegfried Woldhek
(Dutch, born 1951)
Date: 2008
Medium: Pen and black ink on graph paper
Accession Number: 2010.491.1
Bush's Voice (Cheney)
Siegfried Woldhek
(Dutch, born 1951)
Date: 2004 [2010]
Medium: Pen and black ink and watercolor
Accession Number: 2010.491.2
From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets)
Elie
(French, active 1813–1819)
Date: April 1814
Medium: Etching, hand-colored
Accession Number: 2010.525
Caricature of Charles-Henri Plantade (?)
Horace Vernet
(French, Paris 1789–1863 Paris)
Date: 19th century
Medium: Pen and brown ink, brush and wash and black chalk
Accession Number: 2010.542
The Dog Barber
After Sir Henry William Bunbury
(British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland)
Date: April 25, 1771
Medium: Etching
Accession Number: 2011.88(2)
The Lilly Macaroni
Matthew Darly
(British, ca. 1720–1778 (?))
Date: November 13, 1771
Medium: Etching
Accession Number: 2011.88(24)
Claes Oldenburg
David Levine
(American, Brooklyn, New York 1926–2009 New York)
Date: 1969
Medium: Pen and black ink
Accession Number: SL.23.2011.1.1
From Eaton
Philippe Jacques de Loutherbourg
(French, Strasbourg 1740–1812 London)
Date: December 8, 1776
Accession Number: 62.600.556
From Soho
Philippe Jacques de Loutherbourg
(French, Strasbourg 1740–1812 London)
Date: December 26, 1776
Accession Number: 62.600.557
All Who See Me Jeer at Me (Omnes Videntes me Deriserunt me)
Joseph François Foulquier
(French, Toulouse 1744/45–1789 Martinique)
Date: 1773
Accession Number: 62.602.36
Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(1-8)
Crowned Heads, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(1)
All Nations, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(2)
France, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(3)
Germany, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(4)
Bavaria, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(5)
Italy, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(6)
Spain, Scotland, and Switzerland, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(7)
America, from Pictures of Extra Articles and Visitors to the Exhibition
Richard Doyle
(British, London 1824–1883 London)
Date: ca. 1851
Accession Number: 63.698.1(8)
The Hen That Hatched This Egg (Henry L. Stephens): Title Page, The Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Accession Number: 64.629.47(1)
Same Old Coon (Henry Clay), from The Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Accession Number: 64.629.47(5)
J. Pierpont Morgan
Joseph W. Simpson
(British, Carlisle, Cumbria 1879–1939 London)
Date: ca. 1906
Accession Number: 66.620.9
An Englishman at Mabille (Un Anglais à Mabille), from Galerie pour Rire, no. 34
After Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1861
Accession Number: 66.628.13
Caricature of the Painter Pierre-Charles Jombert
François André Vincent
(French, Paris 1746–1816 Paris)
Date: 1773–75
Accession Number: 67.275
Les Invisibles (The Invisible Ones)
William Brocas
(Irish, ca. 1794–1868)
Date: 1810
Accession Number: 67.539.60
The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs)
Anonymous, French, 18th century
Date: second half 18th century
Accession Number: 67.734.5
The Fat Kitchen, from the series Monkeys
Peeter van der Borcht
(Netherlandish, Mechelen ca. 1545–1608 Antwerp)
Date:
Accession Number: 68.776.11
Echo of the Concours Galland (Echo du Concours Galland)
O. Deleiderrier
(Swiss (?), 19th century)
Date: 19th century
Accession Number: 69.524.4
Laceing [sic] a Dandy
Anonymous, British, 19th century
Date: January 26, 1819
Accession Number: 69.524.35
Modern Oddities by P. Pry Esq., Plate 1st: The Sleeves Curiously Cut, Ay There's the Villainy - vide Shakespeare
William Heath ('Paul Pry')
(British, London 1795–1840 Hampstead)
Date: June 30, 1829
Accession Number: 69.524.42
The Pit Door/ La Porte du Parterre
After Robert Dighton the Elder
(British, London ca. 1752–1814 London)
Date: November 9, 1784
Accession Number: 69.584.10
The Bum Shop
Attributed to R. Rushworth
(British, active 1785–86)
Date: July 11, 1785
Accession Number: 1970.541.12
Dandies in Rotten Row
Attributed to William Heath ('Paul Pry')
(British, London 1795–1840 Hampstead)
Date: January 21, 1819
Accession Number: 1970.541.120
L'Entrée au Musée
Anonymous, French, 19th century
Date: 1808
Accession Number: 1970.541.161
A Real Rubber! At Whist
George Hunt
(British, active 1820–45)
Date: ca. 1825
Accession Number: 1970.541.210
The Fashions of 1830: A Further Degree of Perfection (Encore un dégré de perfection: Modes de 1830)
Anonymous, French, 19th century
Date: 1829
Accession Number: 1971.564.193
The Marquis de Vandières, Abbé Jean-Bernard Le Blanc, Germain Soufflot, and Charles-Nicolas Cochin, the Younger
Pier Leone Ghezzi
(Italian, Comunanza near Ascoli Piceno 1674–1755 Rome)
Date: ca. 1750
Accession Number: 1972.84
Joseph Henry of Straffan, Co. Kildare
Pier Leone Ghezzi
(Italian, Comunanza near Ascoli Piceno 1674–1755 Rome)
Date: 1744–51
Accession Number: 1973.67
A Grotesque Couple: Old Woman with an Elaborate Headdress and Old Man with Large Ears and Lacking a Chin
attributed to Giovanni Francesco Melzi
(Italian, Milan 1491/93–ca. 1570 Vaprio d'Adda)
Date: 1491/93–1570
Accession Number: 1975.96
Group of Caricatured Figures with an Artist Drawing
Circle of Guercino (Giovanni Francesco Barbieri)
(Italian, Cento 1591–1666 Bologna)
Date: 1612–66
Accession Number: 1975.131.37
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century
Date: 1817
Accession Number: 1975.607.4
The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century
Date: 1817
Accession Number: 1975.607.5
Caricature of the Artist's Younger Brother Marie-Alexandre-François
François André Vincent
(French, Paris 1746–1816 Paris)
Date: 1776
Accession Number: 1976.189
A Voluptuary Under the Horrors of Digestion
James Gillray
(British, Chelsea 1756–1815 London)
Date: July 2, 1792
Accession Number: 1976.602.22
French Liberty. British Slavery
James Gillray
(British, Chelsea 1756–1815 London)
Date: December 21, 1792
Accession Number: 1976.602.26
Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture
In the manner of the circle of Giuseppe Arcimboldo
(Italian, Milan (?) 1527?–1593 Milan)
Date: after 1569
Accession Number: 1977.652.1
Implements Animated, Pl. 1, Dedicated to the Carpenters and Gardeners of Great Britain
Charles Williams
(British, active 1797–1830)
Date: 1811
Accession Number: 1978.599.1
Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq)
Pierre Nolasque Bergeret
(French, Bordeaux 1782–1863 Paris)
Date: 1805
Accession Number: 1984.1026.1
Fameux Jury de Peinture. Salon de 1841
Clément Pruche
(French, active 1831–70)
Date: March 20, 1841
Accession Number: 1985.1123.156
The Art Connoisseurs (Les Amateurs de Tableaux), from the series Recueil des Grimaces (Collection of Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823–28
Accession Number: 1989.1062
A Giant Monkey in Uniform Holding up Pierrot and a Man with a Whip
Anonymous, French, Austrian or German, second decade19th century
Date: after 1825
Accession Number: 1990.1064.1
Nadar's Pantheon (Panthéon Nadar)
Nadar
(French, Paris 1820–1910 Paris)
Date: 1854
Accession Number: 1993.1079
The Dance of the World
attributed to Pieter Balten
(Netherlandish, Antwerp 1526/27–1584 Antwerp)
Date: mid-16th century
Accession Number: 1997.370
Studies of Four Englishmen, after James Gillray
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: ca. 1817–25
Accession Number: 2000.218
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412a
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412a–h
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412b
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412c
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412d
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412e
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412f
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412g
Procession of Monstrous Figures
Wendel Dietterlin, the Younger
(German, active Strasbourg ca. 1614–69)
Date: 1615
Accession Number: 2002.412h
Caricature of Eugène Delacroix Painting Medea about to Kill Her Children
Benjamin Roubaud (called "Benjamin")
(French, 1811–1847)
Date: 1839
Accession Number: 2005.337
From Warwick Lane
Philippe Jacques de Loutherbourg
(French, Strasbourg 1740–1812 London)
Date: May 1, 1790
Accession Number: 2007.49.362
Sheet of Rebuses with Birds with Human Heads
Anonymous, French, 19th century
Date: ca. 1834
Accession Number: 2007.49.390
Artur Rubinstein
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1981
Accession Number: 2008.290
Two Grotesque Heads
Hans Liefrinck
(Augsburg (?) 1518?–1573 Antwerp)
Date: 1538–73
Accession Number: 2008.577.3
Caricature of a Man Pointing
Gian Lorenzo Bernini
(Italian, Naples 1598–1680 Rome)
Date: 1610–80
Accession Number: 2008.600
The Headache, A Print after George Cruikshank
Enrique Chagoya
(American, born Mexico 1953)
Date: 2010
Accession Number: 2010.285
The Bush Years: A Summary
Siegfried Woldhek
(Dutch, born 1951)
Date: 2008
Accession Number: 2010.491.1
Bush's Voice (Cheney)
Siegfried Woldhek
(Dutch, born 1951)
Date: 2004 [2010]
Accession Number: 2010.491.2
From Top to Bottom, or Cause and Effect (Du haut en bas...ou les causes et les effets)
Elie
(French, active 1813–1819)
Date: April 1814
Accession Number: 2010.525
Caricature of Charles-Henri Plantade (?)
Horace Vernet
(French, Paris 1789–1863 Paris)
Date: 19th century
Accession Number: 2010.542
The Dog Barber
After Sir Henry William Bunbury
(British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland)
Date: April 25, 1771
Accession Number: 2011.88(2)
The Lilly Macaroni
Matthew Darly
(British, ca. 1720–1778 (?))
Date: November 13, 1771
Accession Number: 2011.88(24)
Claes Oldenburg
David Levine
(American, Brooklyn, New York 1926–2009 New York)
Date: 1969
Accession Number: SL.23.2011.1.1
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