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Infinite Jest: Caricature and Satire from Leonardo to Levine
September 13, 2011–March 4, 2012
Works of Art (41-80 of 177 Results)
Monstrous Craws at a New Coalition Feast
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 29, 1787
Medium: Etching and aquatint
Accession Number: 42.121(2)
A Sphere, Projecting Against a Plane
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 3, 1792
Medium: Hand-colored etching
Accession Number: 42.121(13)
From Sir William Hamilton's Collection
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 8, 1801
Medium: Hand-colored etching
Accession Number: 42.121(76)
The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper
James Gillray
(British, Chelsea 1756–1815 London)
Date: February 26, 1805
Medium: Hand-colored etching
Accession Number: 42.121(93)
Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 23, 1806
Medium: Hand-colored etching
Accession Number: 42.121(95)
Caricature of a Woman in a Large Hat
Enrico Caruso
(Italian, 1873–1921)
Date: 1920
Medium: Graphite
Accession Number: 44.15.12
Victoriano Huerta from Estampas de la Revolución Mexicana
Alfredo Zalce
(Mexican, 1908–2003)
Date: 1945
Medium: Linocut
Accession Number: 46.46.327
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
(Dutch, 1645–1708)
Date: 1689
Medium: Etching and letterpress
Accession Number: 49.95.688
The Clown: M. Joret
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1885
Medium: Pen and black ink (faded to brown)
Accession Number: 51.180
Morris Dancers
Daniel Hopfer
(German, Kaufbeuren 1471–1536 Augsburg)
Date: late 15th–early 16th century
Medium: Etching; fourth state of four
Accession Number: 51.501.397
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
J. J. Grandville
(French, Nancy 1803–1847 Vanves)
Date: ca. 1846
Medium: Pen and brown ink, brush and wash, and white heightening.
Accession Number: 52.602.1
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
François Desprez
(French, active 16th century)
Date: [1565]
Medium: Letterpress text with woodcut illustrations
Accession Number: 53.544
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Medium: Color lithography with watercolor and gum
Accession Number: 53.607(38)
Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America
Anonymous, American, 19th century
Date: 1850
Medium: Lithograph
Accession Number: 54.90.661
Grand Fantastical Parade, New-York, December 2, 1833
Attributed to David Claypoole Johnston
(American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts)
Date: 1833
Medium: Hand-colored lithograph
Accession Number: 54.90.717
Victor Hugo
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: July 20, 1849
Medium: Lithograph
Accession Number: 54.557.7
The Boulogne Train Station. An English Excursion Train (La gare de chemin de fer de Boulogne. Un train de plaisir anglais), from Physionomies des Chemins de Fer (Physiognomies of the Railways)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: March 24, 1852
Medium: Lithograph
Accession Number: 54.557.13
Americans in Paris
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1951
Medium: Pen and black ink over graphite
Accession Number: 55.133
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Medium: Lithograph
Accession Number: 57.581.111
Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Medium: Lithograph
Accession Number: 57.581.112
Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 23, 1832
Medium: Lithograph
Accession Number: 57.650.35
Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: June 27, 1833
Medium: Lithograph
Accession Number: 57.650.124
The Legislative Belly
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 1834
Medium: Lithograph on wove paper
Accession Number: 57.650.185
Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no.118, February 7, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 7, 1833
Medium: Lithograph; first state of two (Delteil)
Accession Number: 57.650.461
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)
Published by Charles Philipon
(French, Lyons 1806–1862 Paris)
Date: October 1832
Medium: Lithograph on wove paper
Accession Number: 57.650.622(3)
The Crayfish at Longchamps
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Medium: Lithograph; second state of two
Accession Number: 58.512.10
Watch Your Rear ! ! ! !
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Medium: Lithograph; only state
Accession Number: 58.512.12
The Grimaces (Les Grimaces) from the series Collection of Grimaces (Recueil des Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823
Medium: Lithograph
Accession Number: 59.500.731
Top and Tail
Anonymous, British, 18th century
Date: 1777
Medium: Hand-colored etching with stipple
Accession Number: 59.533.5
The Infant Hercules
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 3, 1784
Medium: Hand-colored etching
Accession Number: 59.533.38
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.348
Comparative Anatomy
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1800–1825
Medium: Etching
Accession Number: 59.533.388
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 29, 1792
Medium: Hand-colored etching
Accession Number: 59.533.463
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Medium: Hand-colored etching
Accession Number: 59.533.566
Exhibition "Stare" Case
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811 (?)
Medium: Etching, hand colored
Accession Number: 59.533.573
An Artist Travelling in Wales
Henri Merke
(Swiss, Niederweningen, canton Zürich ca. 1760–after 1820)
Date: February 10, 1799
Medium: Etching and aquatint with hand coloring
Accession Number: 59.533.654
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Medium: Etching, hand colored
Accession Number: 59.533.775
Odd Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 16, 1801
Medium: Hand-colored etching
Accession Number: 59.533.776
Walking Sticks and Round-A-Bouts for the Year 1801
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 8, 1801
Medium: Hand-colored etching
Accession Number: 59.533.782
How to Pluck a Goose
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 10, 1802
Medium: Hand-colored etching
Accession Number: 59.533.831
Monstrous Craws at a New Coalition Feast
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 29, 1787
Accession Number: 42.121(2)
A Sphere, Projecting Against a Plane
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 3, 1792
Accession Number: 42.121(13)
From Sir William Hamilton's Collection
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 8, 1801
Accession Number: 42.121(76)
The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper
James Gillray
(British, Chelsea 1756–1815 London)
Date: February 26, 1805
Accession Number: 42.121(93)
Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 23, 1806
Accession Number: 42.121(95)
Caricature of a Woman in a Large Hat
Enrico Caruso
(Italian, 1873–1921)
Date: 1920
Accession Number: 44.15.12
Victoriano Huerta from Estampas de la Revolución Mexicana
Alfredo Zalce
(Mexican, 1908–2003)
Date: 1945
Accession Number: 46.46.327
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
(Dutch, 1645–1708)
Date: 1689
Accession Number: 49.95.688
The Clown: M. Joret
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1885
Accession Number: 51.180
Morris Dancers
Daniel Hopfer
(German, Kaufbeuren 1471–1536 Augsburg)
Date: late 15th–early 16th century
Accession Number: 51.501.397
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
François Desprez
(French, active 16th century)
Date: [1565]
Accession Number: 53.544
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Accession Number: 53.607(38)
Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America
Anonymous, American, 19th century
Date: 1850
Accession Number: 54.90.661
Grand Fantastical Parade, New-York, December 2, 1833
Attributed to David Claypoole Johnston
(American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts)
Date: 1833
Accession Number: 54.90.717
Victor Hugo
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: July 20, 1849
Accession Number: 54.557.7
Americans in Paris
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1951
Accession Number: 55.133
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Accession Number: 57.581.111
Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Accession Number: 57.581.112
Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 23, 1832
Accession Number: 57.650.35
Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: June 27, 1833
Accession Number: 57.650.124
The Legislative Belly
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 1834
Accession Number: 57.650.185
Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no.118, February 7, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 7, 1833
Accession Number: 57.650.461
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)
Published by Charles Philipon
(French, Lyons 1806–1862 Paris)
Date: October 1832
Accession Number: 57.650.622(3)
The Crayfish at Longchamps
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Accession Number: 58.512.10
Watch Your Rear ! ! ! !
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Accession Number: 58.512.12
The Grimaces (Les Grimaces) from the series Collection of Grimaces (Recueil des Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823
Accession Number: 59.500.731
Top and Tail
Anonymous, British, 18th century
Date: 1777
Accession Number: 59.533.5
The Infant Hercules
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 3, 1784
Accession Number: 59.533.38
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Accession Number: 59.533.348
Comparative Anatomy
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1800–1825
Accession Number: 59.533.388
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 29, 1792
Accession Number: 59.533.463
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Accession Number: 59.533.566
Exhibition "Stare" Case
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811 (?)
Accession Number: 59.533.573
An Artist Travelling in Wales
Henri Merke
(Swiss, Niederweningen, canton Zürich ca. 1760–after 1820)
Date: February 10, 1799
Accession Number: 59.533.654
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Accession Number: 59.533.775
Odd Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 16, 1801
Accession Number: 59.533.776
Walking Sticks and Round-A-Bouts for the Year 1801
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 8, 1801
Accession Number: 59.533.782
How to Pluck a Goose
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 10, 1802
Accession Number: 59.533.831

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