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Infinite Jest: Caricature and Satire from Leonardo to Levine
September 13, 2011–March 4, 2012
Works of Art (51-100 of 177 Results)
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
J. J. Grandville
(French, Nancy 1803–1847 Vanves)
Date: ca. 1846
Medium: Pen and brown ink, brush and wash, and white heightening.
Accession Number: 52.602.1
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
François Desprez
(French, active 16th century)
Date: [1565]
Medium: Letterpress text with woodcut illustrations
Accession Number: 53.544
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Medium: Color lithography with watercolor and gum
Accession Number: 53.607(38)
Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America
Anonymous, American, 19th century
Date: 1850
Medium: Lithograph
Accession Number: 54.90.661
Grand Fantastical Parade, New-York, December 2, 1833
Attributed to David Claypoole Johnston
(American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts)
Date: 1833
Medium: Hand-colored lithograph
Accession Number: 54.90.717
Victor Hugo
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: July 20, 1849
Medium: Lithograph
Accession Number: 54.557.7
The Boulogne Train Station. An English Excursion Train (La gare de chemin de fer de Boulogne. Un train de plaisir anglais), from Physionomies des Chemins de Fer (Physiognomies of the Railways)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: March 24, 1852
Medium: Lithograph
Accession Number: 54.557.13
Americans in Paris
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1951
Medium: Pen and black ink over graphite
Accession Number: 55.133
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Medium: Lithograph
Accession Number: 57.581.111
Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Medium: Lithograph
Accession Number: 57.581.112
Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 23, 1832
Medium: Lithograph
Accession Number: 57.650.35
Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: June 27, 1833
Medium: Lithograph
Accession Number: 57.650.124
The Legislative Belly
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 1834
Medium: Lithograph on wove paper
Accession Number: 57.650.185
Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no.118, February 7, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 7, 1833
Medium: Lithograph; first state of two (Delteil)
Accession Number: 57.650.461
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)
Published by Charles Philipon
(French, Lyons 1806–1862 Paris)
Date: October 1832
Medium: Lithograph on wove paper
Accession Number: 57.650.622(3)
The Crayfish at Longchamps
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Medium: Lithograph; second state of two
Accession Number: 58.512.10
Watch Your Rear ! ! ! !
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Medium: Lithograph; only state
Accession Number: 58.512.12
The Grimaces (Les Grimaces) from the series Collection of Grimaces (Recueil des Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823
Medium: Lithograph
Accession Number: 59.500.731
Top and Tail
Anonymous, British, 18th century
Date: 1777
Medium: Hand-colored etching with stipple
Accession Number: 59.533.5
The Infant Hercules
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 3, 1784
Medium: Hand-colored etching
Accession Number: 59.533.38
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.348
Comparative Anatomy
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1800–1825
Medium: Etching
Accession Number: 59.533.388
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 29, 1792
Medium: Hand-colored etching
Accession Number: 59.533.463
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Medium: Hand-colored etching
Accession Number: 59.533.566
Exhibition "Stare" Case
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811 (?)
Medium: Etching, hand colored
Accession Number: 59.533.573
An Artist Travelling in Wales
Henri Merke
(Swiss, Niederweningen, canton Zürich ca. 1760–after 1820)
Date: February 10, 1799
Medium: Etching and aquatint with hand coloring
Accession Number: 59.533.654
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Medium: Etching, hand colored
Accession Number: 59.533.775
Odd Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 16, 1801
Medium: Hand-colored etching
Accession Number: 59.533.776
Walking Sticks and Round-A-Bouts for the Year 1801
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 8, 1801
Medium: Hand-colored etching
Accession Number: 59.533.782
How to Pluck a Goose
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 10, 1802
Medium: Hand-colored etching
Accession Number: 59.533.831
The Corsican Spider in His Web!
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 12, 1808
Medium: Hand-colored etching
Accession Number: 59.533.1110
Englishmen in November, Frenchmen in November
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 25, 1788
Medium: Hand-colored etching
Accession Number: 59.533.1157
Dropsy Courting Consumption
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 25, 1810
Medium: Hand-colored etching
Accession Number: 59.533.1212
Italian Picture Dealers Humbugging My Lord Anglaise
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 30, 1812
Medium: Hand-colored etching
Accession Number: 59.533.1221
Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 20, 1811
Medium: Hand-colored etching
Accession Number: 59.533.1401
The Last Drop
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 5, 1801
Medium: Hand-colored etching
Accession Number: 59.533.1421
Dinners Drest in the Neatest Manner
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 1811
Medium: Hand-colored etching
Accession Number: 59.533.1439
Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 19, 1825
Medium: Etching
Accession Number: 59.533.1783
Venerable Idleness, Queen of Cockaigne (La Venerabile Poltroneria Regina di Cucagna)
Nicolò Nelli
(Italian, active Venice, ca. 1552–79)
Date: 1565
Medium: Engraving
Accession Number: 59.570.345
Monkey Dandy, from Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: July 1828
Medium: Etching on chine collé
Accession Number: 59.600.38(5.4)
Well-a-day, Is this my Son Tom
Probably after Samuel Hieronymus Grimm
(Swiss, Bern 1733–1794 London (active Britain from 1768))
Date: ca. 1773
Medium: Etching and engraving
Accession Number: 60.576.9
Well, Hello (Eh bonjour– donc–.)
Charles Motte
(French, 1785–1836 Paris)
Date: 1821
Medium: Lithograph, hand-colored; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink.
Accession Number: 60.620.187
Le triomphe de la coquetterie
Anonymous, French, 18th century
Date: 18th century
Medium: Etching and engraving
Accession Number: 60.625.1
The Two Are But One (Les deux ne font qu'un)
Anonymous, French, 18th century
Date: late 18th century
Medium: Hand-colored etching
Accession Number: 62.520.106
The Ninth of Thermidor, or the English Surprise, to Honest People of All Countries (Le Neuf Thermidor ou la surprise angloise, aux honnêtes gens to tous le pays)
Jean-Baptiste Louvion
(French, 1740–1804)
Date: fructidor l'an 3e, 1795
Medium: Hand-colored etching
Accession Number: 62.520.183
The Pope's Advance Guard or the "Incroyable" in Rome (Avant garde du pape, ou l'Incroyable à Rome)
Anonymous, French, 18th century
Date: late 18th century
Medium: Etching
Accession Number: 62.520.190
The Pope's Rear Guard or the Fright of the Reverend Father Corporal (Arrière garde du pape, ou la frayeur du reverend pere caporal)
Anonymous, French, 18th century
Date: late 18th century
Medium: Hand-colored etching
Accession Number: 62.520.191
The Last Papal Assembly (La dernière assemblée papale)
Anonymous, French, 18th century
Date: June 1796
Medium: Hand-colored etching
Accession Number: 62.520.298
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
François Desprez
(French, active 16th century)
Date: [1565]
Accession Number: 53.544
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Accession Number: 53.607(38)
Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America
Anonymous, American, 19th century
Date: 1850
Accession Number: 54.90.661
Grand Fantastical Parade, New-York, December 2, 1833
Attributed to David Claypoole Johnston
(American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts)
Date: 1833
Accession Number: 54.90.717
Victor Hugo
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: July 20, 1849
Accession Number: 54.557.7
Americans in Paris
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1951
Accession Number: 55.133
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Accession Number: 57.581.111
Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Accession Number: 57.581.112
Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 23, 1832
Accession Number: 57.650.35
Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: June 27, 1833
Accession Number: 57.650.124
The Legislative Belly
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 1834
Accession Number: 57.650.185
Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no.118, February 7, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 7, 1833
Accession Number: 57.650.461
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)
Published by Charles Philipon
(French, Lyons 1806–1862 Paris)
Date: October 1832
Accession Number: 57.650.622(3)
The Crayfish at Longchamps
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Accession Number: 58.512.10
Watch Your Rear ! ! ! !
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Accession Number: 58.512.12
The Grimaces (Les Grimaces) from the series Collection of Grimaces (Recueil des Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823
Accession Number: 59.500.731
Top and Tail
Anonymous, British, 18th century
Date: 1777
Accession Number: 59.533.5
The Infant Hercules
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 3, 1784
Accession Number: 59.533.38
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Accession Number: 59.533.348
Comparative Anatomy
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1800–1825
Accession Number: 59.533.388
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 29, 1792
Accession Number: 59.533.463
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Accession Number: 59.533.566
Exhibition "Stare" Case
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811 (?)
Accession Number: 59.533.573
An Artist Travelling in Wales
Henri Merke
(Swiss, Niederweningen, canton Zürich ca. 1760–after 1820)
Date: February 10, 1799
Accession Number: 59.533.654
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Accession Number: 59.533.775
Odd Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 16, 1801
Accession Number: 59.533.776
Walking Sticks and Round-A-Bouts for the Year 1801
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 8, 1801
Accession Number: 59.533.782
How to Pluck a Goose
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 10, 1802
Accession Number: 59.533.831
The Corsican Spider in His Web!
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 12, 1808
Accession Number: 59.533.1110
Englishmen in November, Frenchmen in November
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 25, 1788
Accession Number: 59.533.1157
Dropsy Courting Consumption
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 25, 1810
Accession Number: 59.533.1212
Italian Picture Dealers Humbugging My Lord Anglaise
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 30, 1812
Accession Number: 59.533.1221
Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 20, 1811
Accession Number: 59.533.1401
The Last Drop
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 5, 1801
Accession Number: 59.533.1421
Dinners Drest in the Neatest Manner
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 1811
Accession Number: 59.533.1439
Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 19, 1825
Accession Number: 59.533.1783
Venerable Idleness, Queen of Cockaigne (La Venerabile Poltroneria Regina di Cucagna)
Nicolò Nelli
(Italian, active Venice, ca. 1552–79)
Date: 1565
Accession Number: 59.570.345
Monkey Dandy, from Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: July 1828
Accession Number: 59.600.38(5.4)
Well-a-day, Is this my Son Tom
Probably after Samuel Hieronymus Grimm
(Swiss, Bern 1733–1794 London (active Britain from 1768))
Date: ca. 1773
Accession Number: 60.576.9
Well, Hello (Eh bonjour– donc–.)
Charles Motte
(French, 1785–1836 Paris)
Date: 1821
Accession Number: 60.620.187
Le triomphe de la coquetterie
Anonymous, French, 18th century
Date: 18th century
Accession Number: 60.625.1
The Two Are But One (Les deux ne font qu'un)
Anonymous, French, 18th century
Date: late 18th century
Accession Number: 62.520.106
The Pope's Advance Guard or the "Incroyable" in Rome (Avant garde du pape, ou l'Incroyable à Rome)
Anonymous, French, 18th century
Date: late 18th century
Accession Number: 62.520.190
The Last Papal Assembly (La dernière assemblée papale)
Anonymous, French, 18th century
Date: June 1796
Accession Number: 62.520.298
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