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Works of Art
Infinite Jest: Caricature and Satire from Leonardo to Levine
September 13, 2011–March 4, 2012
Four Caricatured Heads
attributed to Pier Francesco Mola
(Italian, Coldrerio 1612–1666 Rome)
Date: 1612–66
Medium: Pen and brown ink
Accession Number: 80.3.298
The Patriotick Barber of New York, or the Captain in the Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Medium: Mezzotint
Accession Number: 83.2.181
The Present State of Great Britain
James Phillips
(British, active 1779–1809)
Date: 1779
Medium: Etching
Accession Number: 83.2.982
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Medium: Pen and brown ink, over soft black chalk
Accession Number: 10.45.1
Cicero in Catilinam
James Sayers
(British, 1748–1823)
Date: March 17, 1785
Medium: Etching
Accession Number: 17.3.888-29
Theatrical Pleasures, Plate 2: Contending for a Seat
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: ca. 1835
Medium: Hand-colored etching
Accession Number: 17.3.888-40
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 18, 1807
Medium: Hand-colored etching
Accession Number: 17.3.888-79
The Prince of Whales or the Fisherman at Anchor
George Cruikshank
(British, London 1792–1878 London)
Date: May 1, 1812
Medium: Hand-colored etching
Accession Number: 17.3.888-128
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin
(British, London 1721/33–1820 Brighton)
Date: May 1, 1773
Medium: Hand-colored etching
Accession Number: 17.3.888-227
The City Rout
In the manner of Richard St. George Mansergh St. George
(Irish, ca. 1750–1798)
Date: May 20, 1776
Medium: Etching
Accession Number: 17.3.888-261
The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag
James Gillray
(British, Chelsea 1756–1815 London)
Date: June 26, 1803
Medium: Hand-colored etching and aquatint
Accession Number: 17.3.888-313
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: August 12, 1821
Medium: Hand-colored etching
Accession Number: 17.3.888-326
Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer
(British, London 1795–1880 London)
Date: December 1, 1827
Medium: Etching
Accession Number: 17.3.3437(1)
The Rehearsal or the Baron and the Elephant
George Cruikshank
(British, London 1792–1878 London)
Date: January 1, 1812
Medium: Hand-colored etching
Accession Number: 17.3.3495
Two Heads
Wenceslaus Hollar (Wenzel Vaclav)
(Bohemian, Prague 1607–1677 London)
Date: 1640s
Medium: Etching
Accession Number: 17.50.18-164
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint
Accession Number: 18.64(20)
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching, burnished aquatint & drypoint
Accession Number: 18.64(38)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(55)
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching and burnished aquatint
Accession Number: 18.64(56)
They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: April 6, 1859
Medium: Lithograph; second state
Accession Number: 22.61.186
Four Caricatured Heads
attributed to Pier Francesco Mola
(Italian, Coldrerio 1612–1666 Rome)
Date: 1612–66
Accession Number: 80.3.298
The Patriotick Barber of New York, or the Captain in the Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Accession Number: 83.2.181
The Present State of Great Britain
James Phillips
(British, active 1779–1809)
Date: 1779
Accession Number: 83.2.982
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Accession Number: 10.45.1
Cicero in Catilinam
James Sayers
(British, 1748–1823)
Date: March 17, 1785
Accession Number: 17.3.888-29
Theatrical Pleasures, Plate 2: Contending for a Seat
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: ca. 1835
Accession Number: 17.3.888-40
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 18, 1807
Accession Number: 17.3.888-79
The Prince of Whales or the Fisherman at Anchor
George Cruikshank
(British, London 1792–1878 London)
Date: May 1, 1812
Accession Number: 17.3.888-128
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin
(British, London 1721/33–1820 Brighton)
Date: May 1, 1773
Accession Number: 17.3.888-227
The City Rout
In the manner of Richard St. George Mansergh St. George
(Irish, ca. 1750–1798)
Date: May 20, 1776
Accession Number: 17.3.888-261
The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag
James Gillray
(British, Chelsea 1756–1815 London)
Date: June 26, 1803
Accession Number: 17.3.888-313
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: August 12, 1821
Accession Number: 17.3.888-326
Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer
(British, London 1795–1880 London)
Date: December 1, 1827
Accession Number: 17.3.3437(1)
The Rehearsal or the Baron and the Elephant
George Cruikshank
(British, London 1792–1878 London)
Date: January 1, 1812
Accession Number: 17.3.3495
Two Heads
Wenceslaus Hollar (Wenzel Vaclav)
(Bohemian, Prague 1607–1677 London)
Date: 1640s
Accession Number: 17.50.18-164
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(20)
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(38)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(55)
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(56)
They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: April 6, 1859
Accession Number: 22.61.186
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