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Works of Art
Infinite Jest: Caricature and Satire from Leonardo to Levine
September 13, 2011–March 4, 2012
Four Caricatured Heads
attributed to Pier Francesco Mola
(Italian, Coldrerio 1612–1666 Rome)
Date: 1612–66
Medium: Pen and brown ink
Accession Number: 80.3.298
The Patriotick Barber of New York, or the Captain in the Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Medium: Mezzotint
Accession Number: 83.2.181
The Present State of Great Britain
James Phillips
(British, active 1779–1809)
Date: 1779
Medium: Etching
Accession Number: 83.2.982
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Medium: Pen and brown ink, over soft black chalk
Accession Number: 10.45.1
Cicero in Catilinam
James Sayers
(British, 1748–1823)
Date: March 17, 1785
Medium: Etching
Accession Number: 17.3.888-29
Theatrical Pleasures, Plate 2: Contending for a Seat
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: ca. 1835
Medium: Hand-colored etching
Accession Number: 17.3.888-40
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 18, 1807
Medium: Hand-colored etching
Accession Number: 17.3.888-79
The Prince of Whales or the Fisherman at Anchor
George Cruikshank
(British, London 1792–1878 London)
Date: May 1, 1812
Medium: Hand-colored etching
Accession Number: 17.3.888-128
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin
(British, London 1721/33–1820 Brighton)
Date: May 1, 1773
Medium: Hand-colored etching
Accession Number: 17.3.888-227
The City Rout
In the manner of Richard St. George Mansergh St. George
(Irish, ca. 1750–1798)
Date: May 20, 1776
Medium: Etching
Accession Number: 17.3.888-261
The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag
James Gillray
(British, Chelsea 1756–1815 London)
Date: June 26, 1803
Medium: Hand-colored etching and aquatint
Accession Number: 17.3.888-313
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: August 12, 1821
Medium: Hand-colored etching
Accession Number: 17.3.888-326
Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer
(British, London 1795–1880 London)
Date: December 1, 1827
Medium: Etching
Accession Number: 17.3.3437(1)
The Rehearsal or the Baron and the Elephant
George Cruikshank
(British, London 1792–1878 London)
Date: January 1, 1812
Medium: Hand-colored etching
Accession Number: 17.3.3495
Two Heads
Wenceslaus Hollar (Wenzel Vaclav)
(Bohemian, Prague 1607–1677 London)
Date: 1640s
Medium: Etching
Accession Number: 17.50.18-164
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint
Accession Number: 18.64(20)
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching, burnished aquatint & drypoint
Accession Number: 18.64(38)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(55)
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching and burnished aquatint
Accession Number: 18.64(56)
They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: April 6, 1859
Medium: Lithograph; second state
Accession Number: 22.61.186
Caricature of the Laocoön
Attributed to Nicolo Boldrini
(Italian, born ca. 1500, active Venice 1530–70)
Date: ca. 1520–60
Medium: Woodcut
Accession Number: 22.73.3-125
The Repeal, or the Funeral of Miss Ame-Stamp
Anonymous, British, 18th century
Date: 1766
Medium: Hand-colored etching
Accession Number: 23.42
Chicago Nominee: "I knew him, Horatio; a fellow of infinite jest...Where be your gibes now?–Hamlet, Act IV [sic], Scene 1"
Justin H. Howard
(American, active 1856–80)
Date: 1864
Medium: Wood engraving
Accession Number: 24.63.201
The Allied Bakers or the Corsican Toad in the Hole
George Cruikshank
(British, London 1792–1878 London)
Date: April 1, 1814
Medium: Hand-colored etching
Accession Number: 24.63.269
Pride (Superbia), from the series The Seven Deadly Sins
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: 1558
Medium: Engraving
Accession Number: 26.72.33
The Battle about Money
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: after 1570
Medium: Engraving; second state of four
Accession Number: 26.72.40
Five Grotesque Heads
Wenceslaus Hollar (Wenzel Vaclav)
(Bohemian, Prague 1607–1677 London)
Date: 1646
Medium: Etching
Accession Number: 26.72.112
The Thin Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Medium: Engraving; first state
Accession Number: 28.4(11)
The Fat Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Medium: Engraving; first state
Accession Number: 28.4(12)
"What are You Laughing at? To the Victor Belong the Spoils" (from Harper's Weekly)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: November 25, 1871
Medium: Wood engraving
Accession Number: 28.111.4(2)
The Five Orders of Periwigs
William Hogarth
(British, London 1697–1764 London)
Date: November 1761
Medium: Etching; first state of two
Accession Number: 32.35(116)
Characters and Caricaturas
William Hogarth
(British, London 1697–1764 London)
Date: April 1743
Medium: Etching; first state of two
Accession Number: 32.35(152)
Senator Dolph of Oregon (Joseph Norman Dolph)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: ca. 1894
Medium: Graphite and pen and black ink on scratchboard
Accession Number: 33.173
De Humana Physiognomonia. Libri III
Written by Giovanni Battista della Porta
(Italian, 1538–1615)
Date: 1586
Medium: Letterpress text with engraved illustrations
Accession Number: 37.36.2
Caricature of a Gentleman and Other Studies
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: 1727–1804
Medium: Pen and dark brown ink, brush and brown wash, over black chalk
Accession Number: 37.165.68
Fan Leaf Decorated with Caricatures and Reversible Heads
Attributed to Anonymous, French, early 19th century
Date: early 19th century
Medium: Etching on prepared green paper
Accession Number: 38.91.60
Political Piñata
Leopoldo Méndez
(Mexican, 1902–1969)
Date: 1936
Medium: Linocut
Accession Number: 39.16.23
The Past, the Present, and the Future (Le passé – Le présent – L'Avenir), published in La Caricature, no. 166, Jan. 9, 1834
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 9, 1834
Medium: Lithograph
Accession Number: 41.16.1
La Caricature, vol. V, nos. 105 - 129
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: November 8–April 25, 1833
Medium: Letterpress text with lithographs and wood engravings
Accession Number: 41.66(5)
A Gaming Table at Devonshire House
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1791
Medium: Pen and ink and watercolor
Accession Number: 41.77.1
Monstrous Craws at a New Coalition Feast
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 29, 1787
Medium: Etching and aquatint
Accession Number: 42.121(2)
A Sphere, Projecting Against a Plane
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 3, 1792
Medium: Hand-colored etching
Accession Number: 42.121(13)
From Sir William Hamilton's Collection
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 8, 1801
Medium: Hand-colored etching
Accession Number: 42.121(76)
The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper
James Gillray
(British, Chelsea 1756–1815 London)
Date: February 26, 1805
Medium: Hand-colored etching
Accession Number: 42.121(93)
Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 23, 1806
Medium: Hand-colored etching
Accession Number: 42.121(95)
Caricature of a Woman in a Large Hat
Enrico Caruso
(Italian, 1873–1921)
Date: 1920
Medium: Graphite
Accession Number: 44.15.12
Victoriano Huerta from Estampas de la Revolución Mexicana
Alfredo Zalce
(Mexican, 1908–2003)
Date: 1945
Medium: Linocut
Accession Number: 46.46.327
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
(Dutch, 1645–1708)
Date: 1689
Medium: Etching and letterpress
Accession Number: 49.95.688
The Clown: M. Joret
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1885
Medium: Pen and black ink (faded to brown)
Accession Number: 51.180
Morris Dancers
Daniel Hopfer
(German, Kaufbeuren 1471–1536 Augsburg)
Date: late 15th–early 16th century
Medium: Etching; fourth state of four
Accession Number: 51.501.397
Four Caricatured Heads
attributed to Pier Francesco Mola
(Italian, Coldrerio 1612–1666 Rome)
Date: 1612–66
Accession Number: 80.3.298
The Patriotick Barber of New York, or the Captain in the Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Accession Number: 83.2.181
The Present State of Great Britain
James Phillips
(British, active 1779–1809)
Date: 1779
Accession Number: 83.2.982
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Accession Number: 10.45.1
Cicero in Catilinam
James Sayers
(British, 1748–1823)
Date: March 17, 1785
Accession Number: 17.3.888-29
Theatrical Pleasures, Plate 2: Contending for a Seat
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: ca. 1835
Accession Number: 17.3.888-40
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 18, 1807
Accession Number: 17.3.888-79
The Prince of Whales or the Fisherman at Anchor
George Cruikshank
(British, London 1792–1878 London)
Date: May 1, 1812
Accession Number: 17.3.888-128
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin
(British, London 1721/33–1820 Brighton)
Date: May 1, 1773
Accession Number: 17.3.888-227
The City Rout
In the manner of Richard St. George Mansergh St. George
(Irish, ca. 1750–1798)
Date: May 20, 1776
Accession Number: 17.3.888-261
The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag
James Gillray
(British, Chelsea 1756–1815 London)
Date: June 26, 1803
Accession Number: 17.3.888-313
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: August 12, 1821
Accession Number: 17.3.888-326
Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer
(British, London 1795–1880 London)
Date: December 1, 1827
Accession Number: 17.3.3437(1)
The Rehearsal or the Baron and the Elephant
George Cruikshank
(British, London 1792–1878 London)
Date: January 1, 1812
Accession Number: 17.3.3495
Two Heads
Wenceslaus Hollar (Wenzel Vaclav)
(Bohemian, Prague 1607–1677 London)
Date: 1640s
Accession Number: 17.50.18-164
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(20)
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(38)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(55)
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(56)
They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: April 6, 1859
Accession Number: 22.61.186
Caricature of the Laocoön
Attributed to Nicolo Boldrini
(Italian, born ca. 1500, active Venice 1530–70)
Date: ca. 1520–60
Accession Number: 22.73.3-125
The Repeal, or the Funeral of Miss Ame-Stamp
Anonymous, British, 18th century
Date: 1766
Accession Number: 23.42
The Allied Bakers or the Corsican Toad in the Hole
George Cruikshank
(British, London 1792–1878 London)
Date: April 1, 1814
Accession Number: 24.63.269
Pride (Superbia), from the series The Seven Deadly Sins
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: 1558
Accession Number: 26.72.33
The Battle about Money
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: after 1570
Accession Number: 26.72.40
Five Grotesque Heads
Wenceslaus Hollar (Wenzel Vaclav)
(Bohemian, Prague 1607–1677 London)
Date: 1646
Accession Number: 26.72.112
The Thin Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Accession Number: 28.4(11)
The Fat Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Accession Number: 28.4(12)
"What are You Laughing at? To the Victor Belong the Spoils" (from Harper's Weekly)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: November 25, 1871
Accession Number: 28.111.4(2)
The Five Orders of Periwigs
William Hogarth
(British, London 1697–1764 London)
Date: November 1761
Accession Number: 32.35(116)
Characters and Caricaturas
William Hogarth
(British, London 1697–1764 London)
Date: April 1743
Accession Number: 32.35(152)
Senator Dolph of Oregon (Joseph Norman Dolph)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: ca. 1894
Accession Number: 33.173
De Humana Physiognomonia. Libri III
Written by Giovanni Battista della Porta
(Italian, 1538–1615)
Date: 1586
Accession Number: 37.36.2
Caricature of a Gentleman and Other Studies
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: 1727–1804
Accession Number: 37.165.68
Fan Leaf Decorated with Caricatures and Reversible Heads
Attributed to Anonymous, French, early 19th century
Date: early 19th century
Accession Number: 38.91.60
Political Piñata
Leopoldo Méndez
(Mexican, 1902–1969)
Date: 1936
Accession Number: 39.16.23
The Past, the Present, and the Future (Le passé – Le présent – L'Avenir), published in La Caricature, no. 166, Jan. 9, 1834
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 9, 1834
Accession Number: 41.16.1
La Caricature, vol. V, nos. 105 - 129
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: November 8–April 25, 1833
Accession Number: 41.66(5)
A Gaming Table at Devonshire House
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1791
Accession Number: 41.77.1
Monstrous Craws at a New Coalition Feast
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 29, 1787
Accession Number: 42.121(2)
A Sphere, Projecting Against a Plane
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 3, 1792
Accession Number: 42.121(13)
From Sir William Hamilton's Collection
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 8, 1801
Accession Number: 42.121(76)
The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper
James Gillray
(British, Chelsea 1756–1815 London)
Date: February 26, 1805
Accession Number: 42.121(93)
Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 23, 1806
Accession Number: 42.121(95)
Caricature of a Woman in a Large Hat
Enrico Caruso
(Italian, 1873–1921)
Date: 1920
Accession Number: 44.15.12
Victoriano Huerta from Estampas de la Revolución Mexicana
Alfredo Zalce
(Mexican, 1908–2003)
Date: 1945
Accession Number: 46.46.327
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
(Dutch, 1645–1708)
Date: 1689
Accession Number: 49.95.688
The Clown: M. Joret
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1885
Accession Number: 51.180
Morris Dancers
Daniel Hopfer
(German, Kaufbeuren 1471–1536 Augsburg)
Date: late 15th–early 16th century
Accession Number: 51.501.397
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