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Infinite Jest: Caricature and Satire from Leonardo to Levine
September 13, 2011–March 4, 2012
Works of Art (1-100 of 177 Results)
Four Caricatured Heads
attributed to Pier Francesco Mola
(Italian, Coldrerio 1612–1666 Rome)
Date: 1612–66
Medium: Pen and brown ink
Accession Number: 80.3.298
The Patriotick Barber of New York, or the Captain in the Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Medium: Mezzotint
Accession Number: 83.2.181
The Present State of Great Britain
James Phillips
(British, active 1779–1809)
Date: 1779
Medium: Etching
Accession Number: 83.2.982
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Medium: Pen and brown ink, over soft black chalk
Accession Number: 10.45.1
Cicero in Catilinam
James Sayers
(British, 1748–1823)
Date: March 17, 1785
Medium: Etching
Accession Number: 17.3.888-29
Theatrical Pleasures, Plate 2: Contending for a Seat
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: ca. 1835
Medium: Hand-colored etching
Accession Number: 17.3.888-40
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 18, 1807
Medium: Hand-colored etching
Accession Number: 17.3.888-79
The Prince of Whales or the Fisherman at Anchor
George Cruikshank
(British, London 1792–1878 London)
Date: May 1, 1812
Medium: Hand-colored etching
Accession Number: 17.3.888-128
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin
(British, London 1721/33–1820 Brighton)
Date: May 1, 1773
Medium: Hand-colored etching
Accession Number: 17.3.888-227
The City Rout
In the manner of Richard St. George Mansergh St. George
(Irish, ca. 1750–1798)
Date: May 20, 1776
Medium: Etching
Accession Number: 17.3.888-261
The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag
James Gillray
(British, Chelsea 1756–1815 London)
Date: June 26, 1803
Medium: Hand-colored etching and aquatint
Accession Number: 17.3.888-313
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: August 12, 1821
Medium: Hand-colored etching
Accession Number: 17.3.888-326
Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer
(British, London 1795–1880 London)
Date: December 1, 1827
Medium: Etching
Accession Number: 17.3.3437(1)
The Rehearsal or the Baron and the Elephant
George Cruikshank
(British, London 1792–1878 London)
Date: January 1, 1812
Medium: Hand-colored etching
Accession Number: 17.3.3495
Two Heads
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1640s
Medium: Etching
Accession Number: 17.50.18-164
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint
Accession Number: 18.64(20)
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching, burnished aquatint & drypoint
Accession Number: 18.64(38)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(55)
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching and burnished aquatint
Accession Number: 18.64(56)
They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: April 6, 1859
Medium: Lithograph; second state
Accession Number: 22.61.186
Caricature of the Laocoön
Attributed to Nicolò Boldrini
(Italian, Vicenza ca. 1500–after 1566 Venice)
Date: ca. 1520–60
Medium: Woodcut
Accession Number: 22.73.3-125
The Repeal, or the Funeral of Miss Ame-Stamp
Anonymous, British, 18th century
Date: 1766
Medium: Hand-colored etching
Accession Number: 23.42
Chicago Nominee: "I knew him, Horatio; a fellow of infinite jest...Where be your gibes now?–Hamlet, Act IV [sic], Scene 1"
Justin H. Howard
(American, active 1856–80)
Date: 1864
Medium: Wood engraving
Accession Number: 24.63.201
The Allied Bakers or the Corsican Toad in the Hole
George Cruikshank
(British, London 1792–1878 London)
Date: April 1, 1814
Medium: Hand-colored etching
Accession Number: 24.63.269
Pride (Superbia), from the series The Seven Deadly Sins
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: 1558
Medium: Engraving
Accession Number: 26.72.33
The Battle about Money
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: after 1570
Medium: Engraving; second state of four
Accession Number: 26.72.40
Five Grotesque Heads
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1646
Medium: Etching
Accession Number: 26.72.112
The Thin Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Medium: Engraving; first state
Accession Number: 28.4(11)
The Fat Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Medium: Engraving; first state
Accession Number: 28.4(12)
"What are You Laughing at? To the Victor Belong the Spoils" (from Harper's Weekly)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: November 25, 1871
Medium: Wood engraving
Accession Number: 28.111.4(2)
The Five Orders of Periwigs
William Hogarth
(British, London 1697–1764 London)
Date: November 1761
Medium: Etching; first state of two
Accession Number: 32.35(116)
Characters and Caricaturas
William Hogarth
(British, London 1697–1764 London)
Date: April 1743
Medium: Etching; first state of two
Accession Number: 32.35(152)
Senator Dolph of Oregon (Joseph Norman Dolph)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: ca. 1894
Medium: Graphite and pen and black ink on scratchboard
Accession Number: 33.173
De Humana Physiognomonia. Libri III
Written by Giovanni Battista della Porta
(Italian, 1538–1615)
Date: 1586
Medium: Letterpress text with engraved illustrations
Accession Number: 37.36.2
Caricature of a Gentleman and Other Studies
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: 1727–1804
Medium: Pen and dark brown ink, brush and brown wash, over black chalk
Accession Number: 37.165.68
Fan Leaf Decorated with Caricatures and Reversible Heads
Attributed to Anonymous, French, early 19th century
Date: early 19th century
Medium: Etching on prepared green paper
Accession Number: 38.91.60
Political Piñata
Leopoldo Méndez
(Mexican, 1902–1969)
Date: 1936
Medium: Linocut
Accession Number: 39.16.23
The Past, the Present, and the Future (Le passé – Le présent – L'Avenir), published in La Caricature, no. 166, Jan. 9, 1834
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 9, 1834
Medium: Lithograph
Accession Number: 41.16.1
Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266
J. J. Grandville
(French, Nancy 1803–1847 Vanves)
Date: April 18, 1833
Medium: Lithograph, hand-colored
Accession Number: 41.66(5-1)
A Gaming Table at Devonshire House
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1791
Medium: Pen and ink and watercolor
Accession Number: 41.77.1
Monstrous Craws at a New Coalition Feast
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 29, 1787
Medium: Etching and aquatint
Accession Number: 42.121(2)
A Sphere, Projecting Against a Plane
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 3, 1792
Medium: Hand-colored etching
Accession Number: 42.121(13)
From Sir William Hamilton's Collection
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 8, 1801
Medium: Hand-colored etching
Accession Number: 42.121(76)
The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper
James Gillray
(British, Chelsea 1756–1815 London)
Date: February 26, 1805
Medium: Hand-colored etching
Accession Number: 42.121(93)
Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 23, 1806
Medium: Hand-colored etching
Accession Number: 42.121(95)
Caricature of a Woman in a Large Hat
Enrico Caruso
(Italian, 1873–1921)
Date: 1920
Medium: Graphite
Accession Number: 44.15.12
Victoriano Huerta from Estampas de la Revolución Mexicana
Alfredo Zalce
(Mexican, 1908–2003)
Date: 1945
Medium: Linocut
Accession Number: 46.46.327
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
(Dutch, 1645–1708)
Date: 1689
Medium: Etching and letterpress
Accession Number: 49.95.688
The Clown: M. Joret
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1885
Medium: Pen and black ink (faded to brown)
Accession Number: 51.180
Morris Dancers
Daniel Hopfer
(German, Kaufbeuren 1471–1536 Augsburg)
Date: late 15th–early 16th century
Medium: Etching; fourth state of four
Accession Number: 51.501.397
Illustration for Jérôme Paturot à la recherche d'une position sociale (Jérôme Patruot in Search of a Social Position), by Louis Reybaud, Paris, 1846
J. J. Grandville
(French, Nancy 1803–1847 Vanves)
Date: ca. 1846
Medium: Pen and brown ink, brush and wash, and white heightening.
Accession Number: 52.602.1
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
François Desprez
(French, active 16th century)
Date: [1565]
Medium: Letterpress text with woodcut illustrations
Accession Number: 53.544
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Medium: Color lithography with watercolor and gum
Accession Number: 53.607(38)
Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America
Anonymous, American, 19th century
Date: 1850
Medium: Lithograph
Accession Number: 54.90.661
Grand Fantastical Parade, New-York, December 2, 1833
Attributed to David Claypoole Johnston
(American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts)
Date: 1833
Medium: Hand-colored lithograph
Accession Number: 54.90.717
Victor Hugo
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: July 20, 1849
Medium: Lithograph
Accession Number: 54.557.7
The Boulogne Train Station. An English Excursion Train (La gare de chemin de fer de Boulogne. Un train de plaisir anglais), from Physionomies des Chemins de Fer (Physiognomies of the Railways)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: March 24, 1852
Medium: Lithograph
Accession Number: 54.557.13
Americans in Paris
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1951
Medium: Pen and black ink over graphite
Accession Number: 55.133
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Medium: Lithograph
Accession Number: 57.581.111
Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Medium: Lithograph
Accession Number: 57.581.112
Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 23, 1832
Medium: Lithograph
Accession Number: 57.650.35
Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: June 27, 1833
Medium: Lithograph
Accession Number: 57.650.124
The Legislative Belly
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 1834
Medium: Lithograph on wove paper
Accession Number: 57.650.185
Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no.118, February 7, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 7, 1833
Medium: Lithograph; first state of two (Delteil)
Accession Number: 57.650.461
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)
Published by Charles Philipon
(French, Lyons 1806–1862 Paris)
Date: October 1832
Medium: Lithograph on wove paper
Accession Number: 57.650.622(3)
The Crayfish at Longchamps
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Medium: Lithograph; second state of two
Accession Number: 58.512.10
Watch Your Rear ! ! ! !
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Medium: Lithograph; only state
Accession Number: 58.512.12
The Grimaces (Les Grimaces) from the series Collection of Grimaces (Recueil des Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823
Medium: Lithograph
Accession Number: 59.500.731
Top and Tail
Anonymous, British, 18th century
Date: 1777
Medium: Hand-colored etching with stipple
Accession Number: 59.533.5
The Infant Hercules
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 3, 1784
Medium: Hand-colored etching
Accession Number: 59.533.38
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Medium: Hand-colored etching and aquatint
Accession Number: 59.533.348
Comparative Anatomy
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1800–1825
Medium: Etching
Accession Number: 59.533.388
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 29, 1792
Medium: Hand-colored etching
Accession Number: 59.533.463
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Medium: Hand-colored etching
Accession Number: 59.533.566
Exhibition "Stare" Case
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811 (?)
Medium: Etching, hand colored
Accession Number: 59.533.573
An Artist Travelling in Wales
Henri Merke
(Swiss, Niederweningen, canton Zürich ca. 1760–after 1820)
Date: February 10, 1799
Medium: Etching and aquatint with hand coloring
Accession Number: 59.533.654
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Medium: Etching, hand colored
Accession Number: 59.533.775
Odd Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 16, 1801
Medium: Hand-colored etching
Accession Number: 59.533.776
Walking Sticks and Round-A-Bouts for the Year 1801
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 8, 1801
Medium: Hand-colored etching
Accession Number: 59.533.782
How to Pluck a Goose
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 10, 1802
Medium: Hand-colored etching
Accession Number: 59.533.831
The Corsican Spider in His Web!
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 12, 1808
Medium: Hand-colored etching
Accession Number: 59.533.1110
Englishmen in November, Frenchmen in November
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 25, 1788
Medium: Hand-colored etching
Accession Number: 59.533.1157
Dropsy Courting Consumption
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 25, 1810
Medium: Hand-colored etching
Accession Number: 59.533.1212
Italian Picture Dealers Humbugging My Lord Anglaise
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 30, 1812
Medium: Hand-colored etching
Accession Number: 59.533.1221
Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 20, 1811
Medium: Hand-colored etching
Accession Number: 59.533.1401
The Last Drop
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 5, 1801
Medium: Hand-colored etching
Accession Number: 59.533.1421
Dinners Drest in the Neatest Manner
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 1811
Medium: Hand-colored etching
Accession Number: 59.533.1439
Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 19, 1825
Medium: Etching
Accession Number: 59.533.1783
Venerable Idleness, Queen of Cockaigne (La Venerabile Poltroneria Regina di Cucagna)
Nicolò Nelli
(Italian, active Venice, ca. 1552–79)
Date: 1565
Medium: Engraving
Accession Number: 59.570.345
Monkey Dandy, from Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: July 1828
Medium: Etching on chine collé
Accession Number: 59.600.38(5.4)
Well-a-day, Is this my Son Tom
Probably after Samuel Hieronymus Grimm
(Swiss, Bern 1733–1794 London (active Britain from 1768))
Date: ca. 1773
Medium: Etching and engraving
Accession Number: 60.576.9
Well, Hello (Eh bonjour– donc–.)
Charles Motte
(French, 1785–1836)
Date: 1821
Medium: Lithograph, hand-colored; proof with the publisher's address and the dash at the end of the inscription added by hand in pen and brown ink.
Accession Number: 60.620.187
Le triomphe de la coquetterie
Anonymous, French, 18th century
Date: 18th century
Medium: Etching and engraving
Accession Number: 60.625.1
The Two Are But One (Les deux ne font qu'un)
Anonymous, French, 18th century
Date: late 18th century
Medium: Hand-colored etching
Accession Number: 62.520.106
The Ninth of Thermidor, or the English Surprise, to Honest People of All Countries (Le Neuf Thermidor ou la surprise angloise, aux honnêtes gens to tous le pays)
Jean-Baptiste Louvion
(French, 1740–1804)
Date: fructidor l'an 3e, 1795
Medium: Hand-colored etching
Accession Number: 62.520.183
The Pope's Advance Guard or the "Incroyable" in Rome (Avant garde du pape, ou l'Incroyable à Rome)
Anonymous, French, 18th century
Date: late 18th century
Medium: Etching
Accession Number: 62.520.190
The Pope's Rear Guard or the Fright of the Reverend Father Corporal (Arrière garde du pape, ou la frayeur du reverend pere caporal)
Anonymous, French, 18th century
Date: late 18th century
Medium: Hand-colored etching
Accession Number: 62.520.191
The Last Papal Assembly (La dernière assemblée papale)
Anonymous, French, 18th century
Date: June 1796
Medium: Hand-colored etching
Accession Number: 62.520.298
Four Caricatured Heads
attributed to Pier Francesco Mola
(Italian, Coldrerio 1612–1666 Rome)
Date: 1612–66
Accession Number: 80.3.298
The Patriotick Barber of New York, or the Captain in the Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Accession Number: 83.2.181
The Present State of Great Britain
James Phillips
(British, active 1779–1809)
Date: 1779
Accession Number: 83.2.982
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Accession Number: 10.45.1
Cicero in Catilinam
James Sayers
(British, 1748–1823)
Date: March 17, 1785
Accession Number: 17.3.888-29
Theatrical Pleasures, Plate 2: Contending for a Seat
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: ca. 1835
Accession Number: 17.3.888-40
The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 18, 1807
Accession Number: 17.3.888-79
The Prince of Whales or the Fisherman at Anchor
George Cruikshank
(British, London 1792–1878 London)
Date: May 1, 1812
Accession Number: 17.3.888-128
Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks
William Austin
(British, London 1721/33–1820 Brighton)
Date: May 1, 1773
Accession Number: 17.3.888-227
The City Rout
In the manner of Richard St. George Mansergh St. George
(Irish, ca. 1750–1798)
Date: May 20, 1776
Accession Number: 17.3.888-261
The King of Brobdingnag and Gulliver.–Vide. Swift's Gulliver: Voyage to Brobdingnag
James Gillray
(British, Chelsea 1756–1815 London)
Date: June 26, 1803
Accession Number: 17.3.888-313
Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James's Street, London
Theodore Lane
(British, Isleworth ca. 1800–1828 London)
Date: August 12, 1821
Accession Number: 17.3.888-326
Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer
(British, London 1795–1880 London)
Date: December 1, 1827
Accession Number: 17.3.3437(1)
The Rehearsal or the Baron and the Elephant
George Cruikshank
(British, London 1792–1878 London)
Date: January 1, 1812
Accession Number: 17.3.3495
Two Heads
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1640s
Accession Number: 17.50.18-164
Plate 20 from 'Los Caprichos': There they go plucked (i.e. fleeced) (Ya van desplumados.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(20)
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(38)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(55)
Plate 56 from 'Los Caprichos': To rise and to fall (Subir y bajar.)
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(56)
They Refused This...the Ignoramuses!! (Ils m'ont refusé ça...les ignares!!)
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: April 6, 1859
Accession Number: 22.61.186
Caricature of the Laocoön
Attributed to Nicolò Boldrini
(Italian, Vicenza ca. 1500–after 1566 Venice)
Date: ca. 1520–60
Accession Number: 22.73.3-125
The Repeal, or the Funeral of Miss Ame-Stamp
Anonymous, British, 18th century
Date: 1766
Accession Number: 23.42
The Allied Bakers or the Corsican Toad in the Hole
George Cruikshank
(British, London 1792–1878 London)
Date: April 1, 1814
Accession Number: 24.63.269
Pride (Superbia), from the series The Seven Deadly Sins
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: 1558
Accession Number: 26.72.33
The Battle about Money
Pieter van der Heyden
(Netherlandish, ca. 1525–1569)
Date: after 1570
Accession Number: 26.72.40
Five Grotesque Heads
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1646
Accession Number: 26.72.112
The Thin Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Accession Number: 28.4(11)
The Fat Kitchen
After Pieter Bruegel the Elder
(Netherlandish, Breda (?) ca. 1525–1569 Brussels)
Date: 1563
Accession Number: 28.4(12)
"What are You Laughing at? To the Victor Belong the Spoils" (from Harper's Weekly)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: November 25, 1871
Accession Number: 28.111.4(2)
The Five Orders of Periwigs
William Hogarth
(British, London 1697–1764 London)
Date: November 1761
Accession Number: 32.35(116)
Characters and Caricaturas
William Hogarth
(British, London 1697–1764 London)
Date: April 1743
Accession Number: 32.35(152)
Senator Dolph of Oregon (Joseph Norman Dolph)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: ca. 1894
Accession Number: 33.173
De Humana Physiognomonia. Libri III
Written by Giovanni Battista della Porta
(Italian, 1538–1615)
Date: 1586
Accession Number: 37.36.2
Caricature of a Gentleman and Other Studies
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: 1727–1804
Accession Number: 37.165.68
Fan Leaf Decorated with Caricatures and Reversible Heads
Attributed to Anonymous, French, early 19th century
Date: early 19th century
Accession Number: 38.91.60
Political Piñata
Leopoldo Méndez
(Mexican, 1902–1969)
Date: 1936
Accession Number: 39.16.23
The Past, the Present, and the Future (Le passé – Le présent – L'Avenir), published in La Caricature, no. 166, Jan. 9, 1834
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 9, 1834
Accession Number: 41.16.1
Animal Kingdom: Natural History Cabinet (Règne animal: Cabinet d'histoire naturelle), from La Caricature, plates 265 and 266
J. J. Grandville
(French, Nancy 1803–1847 Vanves)
Date: April 18, 1833
Accession Number: 41.66(5-1)
A Gaming Table at Devonshire House
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1791
Accession Number: 41.77.1
Monstrous Craws at a New Coalition Feast
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 29, 1787
Accession Number: 42.121(2)
A Sphere, Projecting Against a Plane
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 3, 1792
Accession Number: 42.121(13)
From Sir William Hamilton's Collection
James Gillray
(British, Chelsea 1756–1815 London)
Date: May 8, 1801
Accession Number: 42.121(76)
The Plumb-Pudding in Danger;–or–State Epicures Taking un Petit Souper
James Gillray
(British, Chelsea 1756–1815 London)
Date: February 26, 1805
Accession Number: 42.121(93)
Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings, His Man Hopping Talley, Mixing Up the Dough
James Gillray
(British, Chelsea 1756–1815 London)
Date: January 23, 1806
Accession Number: 42.121(95)
Caricature of a Woman in a Large Hat
Enrico Caruso
(Italian, 1873–1921)
Date: 1920
Accession Number: 44.15.12
Victoriano Huerta from Estampas de la Revolución Mexicana
Alfredo Zalce
(Mexican, 1908–2003)
Date: 1945
Accession Number: 46.46.327
The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)
Romeyn de Hooghe
(Dutch, 1645–1708)
Date: 1689
Accession Number: 49.95.688
The Clown: M. Joret
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1885
Accession Number: 51.180
Morris Dancers
Daniel Hopfer
(German, Kaufbeuren 1471–1536 Augsburg)
Date: late 15th–early 16th century
Accession Number: 51.501.397
Les Songes Drolatiques de Pantagruel ou sont contenues plusieurs figures de l'invention de maitre François Rabelais
François Desprez
(French, active 16th century)
Date: [1565]
Accession Number: 53.544
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race
Henry Louis Stephens
(American, Philadelphia, Pennsylvania 1824–1882 Bayonne, New Jersey)
Date: 1851
Accession Number: 53.607(38)
Castle Gardens, The Second Deluge, First Appearance of Jenny Lind in America
Anonymous, American, 19th century
Date: 1850
Accession Number: 54.90.661
Grand Fantastical Parade, New-York, December 2, 1833
Attributed to David Claypoole Johnston
(American, Philadelphia, Pennsylvania 1799–1865 Dorchester, Massachusetts)
Date: 1833
Accession Number: 54.90.717
Victor Hugo
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: July 20, 1849
Accession Number: 54.557.7
Americans in Paris
Al Hirschfeld
(American, St. Louis, Missouri 1903–2003 New York)
Date: 1951
Accession Number: 55.133
Entry, or Lord Fat Cheeks (Entrée, ou Milord-Gorju)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Accession Number: 57.581.111
Exit, or Lord the Gob (Sortie, ou Milord-la Gob)
Nicolas-Toussaint Charlet
(French, Paris 1792–1845 Paris)
Date: 1820–22
Accession Number: 57.581.112
Le Cauchemar (The Nightmare), published in La Caricature no. 69, February 23, 1832
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 23, 1832
Accession Number: 57.650.35
Clément-François-Victor-Gabriel Prunelle, published in La Caricature no. 138, June 27, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: June 27, 1833
Accession Number: 57.650.124
The Legislative Belly
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: January 1834
Accession Number: 57.650.185
Mon dieu! Si j'allais faire un enfant à tête de Poire, published in La Caricature no.118, February 7, 1833
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: February 7, 1833
Accession Number: 57.650.461
The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832)
Published by Charles Philipon
(French, Lyons 1806–1862 Paris)
Date: October 1832
Accession Number: 57.650.622(3)
The Crayfish at Longchamps
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Accession Number: 58.512.10
Watch Your Rear ! ! ! !
Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1822
Accession Number: 58.512.12
The Grimaces (Les Grimaces) from the series Collection of Grimaces (Recueil des Grimaces)
Louis Léopold Boilly
(French, La Bassée 1761–1845 Paris)
Date: 1823
Accession Number: 59.500.731
Top and Tail
Anonymous, British, 18th century
Date: 1777
Accession Number: 59.533.5
The Infant Hercules
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 3, 1784
Accession Number: 59.533.38
Kick Up at a Hazard Table
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1787–90
Accession Number: 59.533.348
Comparative Anatomy
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1800–1825
Accession Number: 59.533.388
Six Stages of Mending a Face, Dedicated with respect to the Right Hon-ble. Lady Archer
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 29, 1792
Accession Number: 59.533.463
The Sculptor [Preparations for the Academy, Old Joseph Nollekens and his Venus]
Thomas Rowlandson
(British, London 1757–1827 London)
Date: ca. 1800
Accession Number: 59.533.566
Exhibition "Stare" Case
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1811 (?)
Accession Number: 59.533.573
An Artist Travelling in Wales
Henri Merke
(Swiss, Niederweningen, canton Zürich ca. 1760–after 1820)
Date: February 10, 1799
Accession Number: 59.533.654
Public Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 1, 1801
Accession Number: 59.533.775
Odd Characters
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 16, 1801
Accession Number: 59.533.776
Walking Sticks and Round-A-Bouts for the Year 1801
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 8, 1801
Accession Number: 59.533.782
How to Pluck a Goose
Thomas Rowlandson
(British, London 1757–1827 London)
Date: June 10, 1802
Accession Number: 59.533.831
The Corsican Spider in His Web!
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 12, 1808
Accession Number: 59.533.1110
Englishmen in November, Frenchmen in November
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 25, 1788
Accession Number: 59.533.1157
Dropsy Courting Consumption
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 25, 1810
Accession Number: 59.533.1212
Italian Picture Dealers Humbugging My Lord Anglaise
Thomas Rowlandson
(British, London 1757–1827 London)
Date: May 30, 1812
Accession Number: 59.533.1221
Pidgeon Hole. A Convent Garden Contrivance to Coop up the Gods
Thomas Rowlandson
(British, London 1757–1827 London)
Date: February 20, 1811
Accession Number: 59.533.1401
The Last Drop
Thomas Rowlandson
(British, London 1757–1827 London)
Date: April 5, 1801
Accession Number: 59.533.1421
Dinners Drest in the Neatest Manner
Thomas Rowlandson
(British, London 1757–1827 London)
Date: October 1811
Accession Number: 59.533.1439
Pie-Us Ecstacy – or Godliness (the Itinerant Preachers) Great Gain
Thomas Rowlandson
(British, London 1757–1827 London)
Date: November 19, 1825
Accession Number: 59.533.1783
Venerable Idleness, Queen of Cockaigne (La Venerabile Poltroneria Regina di Cucagna)
Nicolò Nelli
(Italian, active Venice, ca. 1552–79)
Date: 1565
Accession Number: 59.570.345
Monkey Dandy, from Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: July 1828
Accession Number: 59.600.38(5.4)
Well-a-day, Is this my Son Tom
Probably after Samuel Hieronymus Grimm
(Swiss, Bern 1733–1794 London (active Britain from 1768))
Date: ca. 1773
Accession Number: 60.576.9
Well, Hello (Eh bonjour– donc–.)
Charles Motte
(French, 1785–1836)
Date: 1821
Accession Number: 60.620.187
Le triomphe de la coquetterie
Anonymous, French, 18th century
Date: 18th century
Accession Number: 60.625.1
The Two Are But One (Les deux ne font qu'un)
Anonymous, French, 18th century
Date: late 18th century
Accession Number: 62.520.106
The Pope's Advance Guard or the "Incroyable" in Rome (Avant garde du pape, ou l'Incroyable à Rome)
Anonymous, French, 18th century
Date: late 18th century
Accession Number: 62.520.190
The Last Papal Assembly (La dernière assemblée papale)
Anonymous, French, 18th century
Date: June 1796
Accession Number: 62.520.298
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