Quarterly Calendar: M. H. de Young Memorial Museum, Center of Asian Art and Culture, California Palace of the Legion of Honor, Achenbach Foundation for Graphic Arts, San Francisco (April–June 1971), pp. 6–7, ill., as L'Église Victorieuse de l'Hérésie (La Révocation de l'Édit de Nantes, 22 Oct. 1685), by Charles Lebrun, ca. 1687, lent anonymously.
Jean-Pierre Cuzin. "New York: French Seventeenth-century Paintings from American Collections." Burlington Magazine 124 (August 1982), p. 530, as Dutch, of the generation of Lairesse?.
Pierre Rosenberg. France in the Golden Age: Seventeenth-century French Paintings in American Collections. Exh. cat., The Metropolitan Museum of Art. 1982, p. 377, fig. 6 [French ed., La peinture française du XVIIe siècle dans les collections américaines, Paris, 1982], as anonymous, The Revocation of the Edict of Nantes(?).
Jean Penent. Antoine Rivalz, 1667–1735: Le romain de Toulouse. Exh. cat., Musée Paul-Dupuy. Toulouse, 2004, pp. 64–65, 181–82, no. 254, ill. (color), attributes it to Antoine Rivalz without question, and tentatively identifies it as a modello belonging to Pierre de Lagorrée for an allegory of the peace of Utrecht of 1713, noting that that work was exhibited in Toulouse in 1751, 1773, and 1784.