Painted in Leiden in 1627, this small panel is one of the earliest examples of a diagonal design that the artist would use until about 1640. Although Van Goyen worked in Haarlem only when he studied with Esaias van de Velde (1617–18), his tonal manner was well known to Haarlem painters such as Salomon van Ruysdael and Pieter de Molijn.
Inscription: Signed and dated (lower left): I V GOIEN 1627
Myra Mortimer Pinter, New York (by 1970–d. 1972)
New York. The Metropolitan Museum of Art. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art," September 18, 2007–January 6, 2008, no catalogue.
"Recent Museum Acquisitions." Burlington Magazine 115 (August 1973), p. 537, fig. 79.
John Walsh Jr. "New Dutch Paintings at The Metropolitan Museum." Apollo 99 (May 1974), pp. 344, 349 n. 9, fig. 7.
Howard Hibbard. The Metropolitan Museum of Art. New York, 1980, p. 332, fig. 601.
Hans-Ulrich Beck. Jan van Goyen, 1596–1656. Vol. 3, Ergänzungen zum Katalog der Handzeichnungen und Ergänzungen zum Katalog der Gemälde. Doornspijk, The Netherlands, 1987, p. 265, no. 1054A, ill.
Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, pp. 225–27, 490, no. 49, colorpl. 49; vol. 2, p. 803.
Artist: Attributed to Jan van Goyen (Dutch, Leiden 1596–1656 The Hague)Date: early 17th–mid 17th centuryMedium: Black chalk, washed with India ink on white paper.Accession: 07.285.4On view in:Not on view