Bequest of Adele L. Lehman, in memory of Arthur Lehman, 1965
Not on view
Robert Hutcheson, Glasgow (until 1851; sale, Christie's, London, April 4, 1851, no. 58, for £7.15.0 to Nichols); John Bell, North Park, Glasgow (until 1881; sale, Christie's, London, June 24, 1881, no. 623, for £90.6.0 to Denison); Christopher Beckett Denison, London (from 1881); ?Lady Christopher Beckett Denison; Lord Faber (until 1913; sale, Christie's, London, June 20, 1913, no. 66, for £157.10.0 to Schnell); [J. Schnell, Paris, from 1913]; Adolph Lewisohn, New York (until d. 1938); Sam A. Lewisohn, New York (1938; given to Lehman); his sister, Mrs. Arthur (Adele Lewisohn) Lehman, New York (1938–d. 1965)
Columbia, S.C. Columbia Museum of Art. "Landscape in Art: Origin and Development," January 17–February 26, 1967, no. 27 (as by Van Goyen).
New York. The Metropolitan Museum of Art. "The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art," September 18, 2007–January 6, 2008, no catalogue.
C. Hofstede de Groot. A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century. Ed. Edward G. Hawke. Vol. 8, London, 1927, p. 194, no. 765, as by Van Goyen.
Claus Virch. The Adele and Arthur Lehman Collection. New York, 1965, p. 46, ill., as by Van Goyen.
Hans-Ulrich Beck. Jan van Goyen, 1596–1656. Vol. 2, Katalog der Gemälde. Amsterdam, 1973, pp. 285–86, no. 628b, copy V, ill., as a copy after a lost painting by Van Goyen.
Edward Morris and Martin Hopkinson. Walker Art Gallery, Liverpool: Foreign Catalogue. [Liverpool], 1977, text vol., p. 85 n. 1, under no. 613.
Julia Lloyd Williams. Dutch Art and Scotland: A Reflection of Taste. Exh. cat., National Gallery of Scotland. [Edinburgh], 1992, p. 176, states that John Bell bought the picture from Robert Hutcheson.
Walter Liedtke. Dutch Paintings in The Metropolitan Museum of Art. New York, 2007, vol. 1, pp. 244–45, no. 56, colorpl. 56.
Formerly falsely signed and dated (lower center, on boat): VG 1637. The signature and date were removed during cleaning in March 1967.
This is probably one of several copies after a lost work by Van Goyen [see Ref. Beck 1973]; however, there are similar works by Van Goyen still in existence, including a panel dated 1645 in the National Gallery, London, another panel of 1645 on the London art market in 1923, one of 1648 formerly in the Argenti collection, London, and one dated 1651 in the Corcoran Gallery of Art, Washington.
The church was at one time identified as the one at Overschie, a village on the Schie river between Delft and Rotterdam, but in fact the site is probably, as usually with Van Goyen, imaginary.