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Process and Perception

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Process and Perception

Program information

Jerry Uelsmann, whose work is included in the exhibition Faking It: Manipulated Photography Before Photoshop, describes his influences and his evolution as an artist. Using multiple projectors and darkroom techniques, he creates dreamlike images that are considered precursors to manipulated photographs created using Photoshop.

Recorded October 14, 2012

Part of a Sunday at the Met program held in conjunction with the exhibition, on view October 11, 2012–January 27, 2013.

The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.

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White Sands National Monument, New Mexico

Ansel Easton Adams  (American, San Francisco, California 1902–1984 Carmel, California)

Date:
1948
Medium:
Gelatin silver print
Classification:
Photographs
Credit Line:
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1971
Accession Number:
1971.616.4
Rights and Reproduction:
© Photograph by Ansel Adams. Used with permission of the Trustees of The Ansel Adams Publishing Rights Trust. All Rights Reserved.

This artwork is not on display

190011707

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