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Fixing It in Post

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Fixing It in Post

Program information

Digital retoucher Amy Dresser discusses manipulated photography in the digital age. Dresser modifies and composites photographs for a wide range of clients. Using her background as a painter, she brings a unique touch to the images she creates.

Recorded October 14, 2012

Part of a Sunday at the Met program held in conjunction with Faking It: Manipulated Photography Before Photoshop, on view October 11, 2012–January 27, 2013.

The exhibition is made possible by Adobe. The catalogue is made possible by The Andrew W. Mellon Foundation.

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[Oak Tree]

Carleton E. Watkins  (American, 1829–1916)

Date:
ca. 1868
Medium:
Albumen silver print from glass negative
Dimensions:
Image: 39.1 x 52.1 cm (15 3/8 x 20 1/2 in.)
Classification:
Photographs
Credit Line:
Gilman Collection, Gift of The Howard Gilman Foundation, 2005
Accession Number:
2005.100.202

This artwork is not on display

  • Signatures, Inscriptions, and Markings

    Inscription: Inscribed on verso in unknown hand: "Cala Live Oak / No. 366" Stamped twice: "ACCESSION NO. 7282 / Gift of Y.P. & CO. / Items no. 1-43"

  • Provenance

    National Park Service at Yosemite Collection; [Helios, Arts Inc.]; Gilman Paper Company Collection, New York, August 4, 1977

190039146

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