Exhibitions/ Art Object

Mammoth Hot Springs, Pulpit Terraces

Artist:
William Henry Jackson (American, 1843–1942)
Date:
ca. 1883
Medium:
Albumen silver print from glass negative
Dimensions:
43.0 x 53.1 cm. (16 15/16 x 20 15/16 in.)
Classification:
Photographs
Credit Line:
Rogers Fund, 1974
Accession Number:
1974.530
Not on view
The physical demands of large-format landscape work were great. Since there was as yet no practical means of enlarging, the glass negatives had to be as large as the photographer wished the prints to be, and the camera had to be large enough to accommodate the plates.
Jackson's photographs of Yellowstone National Park were instrumental in bringing the geological curiosities of the region to the public's attention. The amazing mineral formations of Mammoth Hot Springs soon became as legendary as Old Faithful.
Inscription: Inscribed in the negative, BLC: "1091. MAMMOTH HOT SPRINGS. PULPIT TERRACES"; BRC: "W. H. JACKSON, Co., DENVER, COL."
[. . .]; The Witkin Gallery, New York.

The Metropolitan Museum of Art. "Era of Exploration: the Rise of Landscape Photography in the American West, 1860-1885," Thursday, May 22, 1975 - Sunday, July 06, 1975.

New York. The Metropolitan Museum of Art. "American Photographs from the Permanent Collection," June 1, 1980–August 1, 1980.

The Metropolitan Museum of Art. "Photographs from the Museum's Collection," December 4, 1984–March 17, 1985.

The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 7," December 12, 1994–March 12, 1995.

Montreal Museum of Fine Arts. "Cosmos: From Romanticism to the Avant-Garde," June 17, 1999–October 17, 1999.

Centre de Cultura Contemporania de Barcelona. "Cosmos: From Romanticism to the Avant-Garde," November 23, 1999–February 20, 2000.

The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 50," January 6, 2009–May 3, 2009.

Naef, Weston J., and James Wood. Era of Exploration: The Rise of Landscape Photography in the American West, 1860–1885. Buffalo: Albright-Knox Art Gallery, 1975. no. 115.



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