Inscription: Titled, dated and signed in pencil on print, verso, UL: "Combat // 1937 // R. Ubac"; inscribed in pencil on print, verso, UC: "Solariztaion 1er Etat [1er Etat underlined in red pencil]"; inscribed in red felt-tip on print, verso, UR: "23 [encircled]"; inscribed in black ink on print, verso, UR: "3 [half encircled]"; inscribed in pencil on print, verso, C [on slant]: "19 cm de largeur"
Family of the artist; [Robert Miller Gallery to Waddell, November 12, 1986]; John C. Waddell
Fundación "La Caixa", Madrid. "Lost Bodies, Photography and the Surrealists," November 23, 1995–January 14, 1996.
Caixa Forum, Fundacion "La Caixa", Barcelona. "Lost Bodies, Photography and the Surrealists," February 20, 1996–April 14, 1996.
New York. The Metropolitan Museum of Art. "Fatal Attraction: Piotr Uklański Selects from the Met Collection," March 17–June 14, 2015.
Uklański, Piotr. Piotr Uklański: Fatal Attraction. New York: Rizzoli International Publications, 2015. p. 234.
Ubac made a series of photographs on this theme; compare L'amour fou (text by Rosalind Krauss and Jane Livingston), New York: Abbeville Press, 1985, pp. 71-73, esp. Fig. 63, evidently a later state (dated 1939) and slightly cropped version of the same image from this series, to which landscape and background elements as well as weapon-like objects have been added. Refer to enclosed photocopy for details on technique. Compare also Claude Magelhaes d Laurent Roosen, De fotokunst in België 1839-1940, Duerne-Antwerp, 1970, pl. 121, which gives a date of 1938. [Note that this publication gives Ubac's birth year as 1910, whereas L'amour fou gives 1909.]