Exhibitions/ Art Object

Three National Child Labor Committee Exhibition Panels

Artist:
Lewis Hine (American, 1874–1940)
Date:
1913–14
Medium:
Gelatin silver print
Dimensions:
8.9 x 15.0 cm (3 1/2 x 5 15/16 in.)
Classification:
Photographs
Credit Line:
Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1993
Accession Number:
1993.43.289
Not on view
Trained as a sociologist at Columbia University, Lewis Hine gave up his New York City teaching job in 1908 to become a full-time photographer for the National Child Labor Committee. Created four years earlier, the reform agency's success was largely dependent on its ability to sway public opinion. Influenced by Jacob Riis's pictures of slum conditions on New York's Lower East Side, Hine obsessively documented the working conditions of children in mills, factories, and fields across the country. The results--over 5,000 photographs in all--would then be used in field reports, as well as for exhibitions, pamphlets, and slide lectures. His decidedly unromantic, understated pictures served as a potent weapon of persuasion. The camera's ability to amplify the idiosyncratic, telling detail also gave each of Hine's subjects the simple, irreducible integrity of the single human life.
Inscription: Inscribed in pencil on print verso UC: "3759."
(sold Christie's, New York, October 13, 1992, no. 78)

The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 11," November 13, 1995–March 11, 1996.

The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 36," November 3, 2003–March 7, 2004.

The Metropolitan Museum of Art. ""Our Future Is In The Air": Photographs from the 1910s," November 10, 2010–April 10, 2011.

Signs in the photograph read: "WHAT IT COSTS THE CHILD"; "WHAT IT COSTS INDUSTRY"; and "WHAT IT COSTS SOCIETY".
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