Exhibitions/ Art Object
{{img.publicCaption}}

[Automobile Accident, San Francisco]

Artist:
Unknown (American)
Date:
1953
Medium:
Gelatin silver print with applied media
Dimensions:
Image: 21.5 x 29 cm (8 7/16 x 11 7/16 in.) Frame: 40.6 x 50.8 cm (16 x 20 in.)
Classification:
Photographs
Credit Line:
Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 2008
Accession Number:
2008.58
Not on view
Newspapers often relied on photo illustration to circumvent the limitations of photography as a method of reporting. It was easy enough for news photographers to cover scheduled events—state visits, political speeches and rallies—but sudden calamities often occurred when no cameras were present. In such cases, editors at the San Francisco Examiner would create a “photo-diagram”—a photograph of the crime or accident scene, usually taken after the fact, with a diagrammatic reconstruction of the event drawn onto the picture by hand. Here, arrows and numbered circles trace the careening path of a stolen car down a hilly street in San Francisco. Black crosses mark the spots where the halves of the victim’s body landed.
Inscription: Stamped in ink on verso: "AUTOS-ACCIDENTS-S.F."; "RECEIVED EXAMINER // REFERENCE LIBRARY // JUL 20 1953"; San Francisco Chronicle newspaper clipping with reproduction of photograph and caption affixed to verso; stamped in ink on clipping JUL 20 1953"
San Francisco Examiner (deaccessioned); [various dealers]; [Winter Works on Paper, New York]

The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.

Mia Fineman, The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.

Earl A. Powell III, National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17, 2013–May 5, 2013.

Gary Tinterow, Museum of Fine Arts, Houston. "Faking It: Manipulated Photography Before Photoshop," June 2, 2013–August 25, 2013.

Gary Tinterow, Museum of Fine Arts, Houston. "Faking It: Manipulated Photography Before Photoshop," June 2, 2013–August 25, 2013.

Fineman, Mia. Faking It: Manipulated Photography Before Photoshop. New York: The Metropolitan Museum of Art, 2012. no. 156, pp. 146, 243.



Related Objects

Portrait of a Mariano Abasolo

Date: ca. 1830 Medium: Colored wax Accession: 38.145.143 On view in:Not on view

Portrait of General Juan Pablo Anaya

Date: ca. 1830 Medium: Colored wax, paper, gold Accession: 38.145.146 On view in:Not on view

Coat

Date: ca. 1900 Medium: silk Accession: X.712 On view in:Not on view

Album Artistique et Biographique. Salon 1883, Paris

Artist: Unknown (French) Date: 1880s Medium: Woodburytypes Accession: 1975.625.1 On view in:Not on view

Snow-Bound; A Winter Idyl

Artist: Unknown (British) Date: 1860s Medium: Albumen silver prints Accession: 1975.583.1 On view in:Not on view