Exhibitions/ Art Object

Untitled

Artist:
Jerry N. Uelsmann (American, born Detroit, Michigan, 1934)
Date:
1969
Medium:
Gelatin silver print
Dimensions:
Image: 38.1 x 47 cm (15 x 18 1/2 in.) Frame: 59.7 x 68.6 cm (23 1/2 x 27 in.)
Classification:
Photographs
Credit Line:
Twentieth-Century Photography Fund, 2011
Accession Number:
2011.407
Rights and Reproduction:
© Jerry N. Uelsmann
Not on view
Uelsmann revived the technique of combination printing pioneered by such Victorian art photographers as Oscar Gustave Rejlander and Henry Peach Robinson in the early 1960s, when darkroom manipulation was denigrated by many proponents of straight photography as a flagrant violation of photographic purity. His pictures, which he creates in a darkroom equipped with seven enlargers, are filled with mind-bending paradoxes, oblique symbolism, and bizarre contrasts of scale. Uelsmann’s work is now considered an important precursor to the seamless compositing widely associated with digital photography and Photoshop.
Inscription: Signed and inscribed in ink, verso BR: "UNTITLED 1969 (VINTAGE) // JERRY N. UELSMANN*"; stamped, verso BC: "ARCHIVALLY PROCESSED // ORIGINAL PHOTOGRAPH // JERRY N. UELSMANN // COPYRIGHT // 1969 [inscribed]"; initialed and inscribed in pencil on the overmat, recor BR: "J. N. U. 1969"
the artist

The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.

Mia Fineman, The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.

Earl A. Powell III, National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17, 2013–May 5, 2013.

Earl A. Powell III, National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17, 2013–May 5, 2013.

Gary Tinterow, Museum of Fine Arts, Houston. "Faking It: Manipulated Photography Before Photoshop," June 2, 2013–August 25, 2013.

Uelsmann, Jerry N. Jerry N. Uelsmann. Vol. 15, no. 4. New York: Aperture, 1970. np.

Enyeart, James L. Jerry N. Uelsmann, Twenty-Five Years: A Retrospective. 1st ed. Boston: Little, Brown and Company, 1982. no. 57.

Fineman, Mia. Faking It: Manipulated Photography Before Photoshop. New York: The Metropolitan Museum of Art, 2012. no. 195, pp. 192, 254.



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