Duane Michals (American, born McKeesport, Pennsylvania, 1932)
Gelatin silver prints (7)
Image: 8.9 x 12.7 cm (3 1/2 x 5 in.)
Sheet: 12.7 x 17.8 cm (5 x 7 in.)
Frame: 17 x 22.4 cm (6 11/16 x 8 13/16 in.), each
Pace/MacGill Gallery, New York
Not on view
In the late 1960s Michals began creating narrative sequences of staged photographs that imaginatively tackle metaphysical themes such as memory, desire, and mortality. “I believe in the imagination,” he wrote in the introduction to his 1976 book, Real Dreams. “What I cannot see is infinitely more important than what I can see.” In The Spirit Leaves the Body, Michals summons a ghostly apparition by means of double exposure, reviving the ethereal iconography of nineteenth-century spirit photography in a new poetic context.
The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.
Earl A. Powell III, National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17, 2013–May 5, 2013.
Gary Tinterow, Museum of Fine Arts, Houston. "Faking It: Manipulated Photography Before Photoshop," June 2, 2013–August 25, 2013.
FINEMAN, MIA. Faking It: Manipulated Photography Before Photoshop. New York: The Metropolitan Museum of Art, 2012. no. 194, pp. 190, 254.