Exhibitions/ Art Object

Le simulateur

Dora Maar (French, Paris 1907–1997 Paris)
Gelatin silver print
Image: 29.2 x 22.9 cm (11 1/2 x 9 in.) Frame: 50.8 x 40.6 cm (20 x 16 in.)
Credit Line:
Collection of The Sack Photographic Trust for the San Francisco Museum of Modern Art
Not on view
Maar’s haunting photomontages of the mid-1930s evoke a mood of oneiric ambiguity. Here, the world is turned literally upside-down: a boy bends sharply backward, echoing the curve of the vaulted ceiling on which he stands. On the print, Maar scratched out the figure’s eyes, exploiting Surrealism’s strong association of blindness with inner sight.
The Metropolitan Museum of Art. "Faking It: Manipulated Photography Before Photoshop," October 10, 2012–January 27, 2013.

Earl A. Powell III, National Gallery of Art, Washington D.C. "Faking It: Manipulated Photography Before Photoshop," February 17, 2013–May 5, 2013.

Gary Tinterow, Museum of Fine Arts, Houston. "Faking It: Manipulated Photography Before Photoshop," June 2, 2013–August 25, 2013.

Fineman, Mia. Faking It: Manipulated Photography Before Photoshop. New York: The Metropolitan Museum of Art, 2012. no. 171, pp. 162, 247.