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James Nares: Street (00:02:17) 18091 views
Prostitutes in a Bar, Boulevard Rochechavart, Montmartre
Big Albert's Gang, Place d'Italie
Femme Avec Lingerie, Paris
Jour de Pluie aux Champs Elysées
Street Fair, Boulevard St. Jacques, Paris
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Brassaï made his name as a chronicler of the night. His book Paris de nuit (1932) surveys the activities and topography of the city after dark, from the louche bars of Montparnasse to the trees and bridges flanking the Seine. The dreamy atmosphere of Brassaï's photographs is intensified by his preference for shooting on rainy and foggy nights. "Fog and rain . . . tend to soften contrasts," he wrote. "Steam, as well as wet ground, act as reflectors and diffuse the light of the lamps in all directions. Therefore, it is necessary to photograph certain subjects in the rain, since it is the rain that makes them 'photogenic.'"
Signature: Titled, dated, signed on the reverse by artist; stampedInscription: Signed in ink, verso BL: "Brassai [underlined]"; Titled and dated in purple ink, verso BRC: "La Colonne // Morris // Dans le Brouillard // 1932"; artist's stamps, verso BC: "Tirage de l'Auteur", "c [encircled] COPYRIGHT by // BRASSAÏ // 81, Faubourg St-Jacques // PARIS 14eme Tél 707.23.41"; numbered in pencil in various hands, verso C: "N.124.", "20 [encircled]"
the artist; [Marlborough Gallery, New York]; Gilman Paper Company Collection, New York (October 30, 1975)
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