Arhats and Attendants, from a series of sixteen Arhats

Period:
Nanbokuchō period (1336–92)
Date:
14th century
Culture:
Japan
Medium:
Hanging scroll; ink and color on silk
Dimensions:
Image: 45 7/8 x 19 3/8 in. (116.5 x 49.2 cm) Overall with mounting: 75 3/4 x 25 3/8 in. (192.4 x 64.5 cm) Overall with knobs: 75 3/4 x 27 1/8 in. (192.4 x 68.9 cm)
Classification:
Paintings
Credit Line:
The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975
Accession Number:
1975.268.23
  • Description

    Arhats (rakan in Japanese) are the legendary disciples of Shakyamuni Buddha charged with inspiring others and protecting Buddhist law and the path to enlightenment through meditation until the coming of the future Buddha, Maitreya. Veneration of Arhats was introduced into Japan in the tenth century by the monk Chōnen (ca. 938–1016), who brought the cult from the monastic center at Wutai Shan in northern China. Within the contemplative Zen sect, the ascetic associations of Arhats had particular significance.

    Originally from a set of sixteen, these two scrolls show the fifteenth and the sixth Arhats: Asita is attended by a dwarf carrying an eroded rock that represents Mount Sumeru, the mountain at the center of the Buddhist cosmos, and Badhara has long eyebrows and an aged visage that evokes the physical and spiritual rigors of meditation.

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