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Cambodian Rattan: The Sculpture of Sopheap Pich

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Red and White Poppies

Attributed to Tosa Mitsumochi  (active 1525–ca. 1559)

Period:
Momoyama (1573–1615)– Edo (1615–1868) period
Date:
early 17th century
Culture:
Japan
Medium:
Six-panel folding screen; ink and color on gilt paper
Dimensions:
65 3/4 x 147 1/2 in. (167.0 x 374.7 cm)
Classification:
Screens
Credit Line:
H. O. Havemeyer Collection, Gift of Mrs. Dunbar W. Bostwick, John C. Wilmerding, J. Watson Webb Jr., Harry H. Webb, and Samuel B. Webb, 1962
Accession Number:
62.36.1
  • Description

    A summer motif of red and white poppies arrayed boldly across the gold-leafed surface of the screen, a lattice fence the only indication of setting, is a decorative formula that was developed during the seventeenth century and taken up by various schools throughout the Edo period. An unusual feature of this painting is the pattern of family crests that decorates the fence.

    The screen bears an inscription by Ogata Kōrin (1658–1716) attributing the work to the court painter Tosa Mitsumochi, who died a century before the celebrated Rinpa artist was born. The attribution, however, is speculative, and based on stylistic considerations, the work probably dates to the early seventeenth century. Nevertheless, the work reveals the kind of court paintings that Kōrin, famous for formalized depictions of natural themes, had direct access to and would have studied.

60012642

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