Six Jewel Rivers (Mu-Tamagawa)

Sakai Ōho  (Japanese, 1808–1841)

Period:
Edo period (1615–1868)
Date:
ca. 1839
Culture:
Japan
Medium:
Six handscrolls; ink, color, and gold on silk
Dimensions:
Overall (a): 3 9/16 x 46 7/16 in. (9 x 118 cm) Overall (b): 3 9/16 x 46 15/16 in. (9 x 119.2 cm) Overall (c): 3 1/2 x 46 7/16 in. (8.9 x 118 cm) Overall (d): 3 9/16 x 48 13/16 in. (9 x 124 cm) Overall (e): 3 5/8 x 46 1/2 in. (9.2 x 118.1 cm) Overall (f): 3 1/2 x 46 7/8 in. (8.9 x 119.1 cm)
Classification:
Paintings
Credit Line:
Mary and Jackson Burke Foundation
  • Description

    Scroll 1 (top): Noda no Tamagawa
    Scroll 3 (middle): Noji no Tamagawa
    Scroll 5 (bottom): Kinuta no Tamagawa

    Scroll 2 (top): Tetsukuri no Tamagawa
    Scroll 4 (middle): Ide no Tamagawa
    Scroll 6 (bottom): Kŏya no Tamagawa

    The titles of the six small-format handscrolls in this set refer to the six rivers in various parts of Japan that are named Tamagawa, or Jewel River. Each scroll shows a horizontal expanse of landscape in which the main elements of the composition are gradually introduced and then slowly fade out in almost cinematic fashion. The theme of six beautiful rivers enjoyed great popularity in the nineteenth century, especially among ukiyo-e printmakers. The name Tamagawa was eventually included in a large compendium of place names used as utamakura (pillow words), phrases that served to inspire poets; subsequently, many verses were composed about rivers of this name.

    Ŏho, one of the last Rinpa artists of the Edo period, died when he was quite young, leaving only a small body of work. Many of his paintings are based on or inspired by the work of Sakai Hŏitsu, his adoptive father and teacher. Ŏho was perhaps inspired to use the Tamagawa theme because of its popularity with the circle of poetry enthusiasts who gathered around his teacher and former colleague.

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