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Jain Siddha Bahubali, Entwined with Forest Vines

Period:
Chalukyan period
Date:
late 6th–7th century
Culture:
India (Karnataka)
Medium:
Copper alloy
Dimensions:
H. 4 3/8 in. (11.1 cm)
Classification:
Sculpture
Credit Line:
Samuel Eilenberg Collection, Gift of Samuel Eilenberg, 1987
Accession Number:
1987.142.339
  • Description

    The oldest Jain image in the Metropolitan Museum's collection also happens to be the earliest known representation of the subject in Jain art, that of Bahubali, a prince who attained the stature of a perfected being (siddha). Although never admitted to the pantheon of twenty-four tirthankaras, he nonetheless attained jina-like status. The legend of Bahubali tells of a prince who renounces violence after coming close to slaying his brother Bharata in a battle of succession and then renounces pride and its expression—violence to other living creatures. Embracing ahimsa (nonviolence), he meditates in the "body-abandonment" posture in a forest, where he is entwined by vines and hosts birds that nest in his hair until he attains moksha.

    This diminutive icon is part of a tradition that inspired the largest rock-cut icon in the Indian subcontinent, the Bahubali at Shravana Belgola, in Karnataka, a sixty-foot-high image sculpted from living rock in the tenth century. This icon has been ritually lustrated in the mahamastakabhisheka festival since that date on a twelve-year cycle, most recently celebrated in 2006.

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